RAW

[00:00:05] Speaker A: Hello and welcome to Pugsley Crew Reviews, where we talk about all manner of films, be they good, bad, or just okay, today we are going to be talking about a film called Raw, which I believe is a French film, a French Bulgarian Welch, Belgium. French Belgium film, I think. But today I have with me Ker 9000. [00:00:36] Speaker B: Hi, everyone. [00:00:38] Speaker A: And we kind of decided on this film together. I give you a list of, like, four or five films and said you pick one of them. [00:00:45] Speaker B: Yeah, I remember that. [00:00:46] Speaker A: Yeah, it was basically we were supposed to do in a different film, zombie Verse, and the person was unavailable and still is unavailable to talk about that. And I was like, oh, we'll have to pick a different film. So we just picked between us to even it out because we'd both picked a film each before. There you go. So, yeah, Raw came out in 19, 2016, I believe. [00:01:15] Speaker B: Yeah. [00:01:16] Speaker A: And like I said, is French Belgium, I think, because I'm sure when the credits roll at the start, it's like French Belgian collaboration thingy or something. [00:01:28] Speaker B: Yeah. [00:01:31] Speaker A: So the film is quite a film. I must say, at the start, it was a bit weird for me, right at the start. It's like the person falling in front of a car, the car crashing, and it's like, okay, why is that relevant? And it is relevant later in the film, sort of. And then it just seems to be quite normal. Like, people are like, oh, we vegetarian. We don't eat meat. I'm going to complain. And they go and drop her off to, like, a university or something. Well, a veterinary school. And it all seems pretty normal. And then in the night then that same night, they get woken up, all their rooms get tossed around and they're all, like, kicked out of their rooms. And then they go into an elevator. And then all of a sudden, I don't know why, they were all crawling across the floor. I don't remember saying anything specifically why that happened. They were just crawling across the floor outside. [00:02:29] Speaker B: Did you I think it's to treat them like animals. [00:02:33] Speaker A: Yeah, that would make sense because I didn't see you say anything about it. Just like, go down the elevator and then all of a sudden it goes to the next scene and they just crawl in. And it's like, why? [00:02:48] Speaker B: Yeah, it doesn't explain it, but there's a lot of things in the film where I think they're treated like animals. They crawl in like that. There's a point where people are restrained from behind the neck with scarves. I think there's definitely something here about blurring the lines between people and animals. [00:03:07] Speaker A: Yeah. Like the scene where they talk about animal rape and they were like, can animals be raped? They're about monkeys. They similar to humans in a lot of ways. So, yeah, it's just as bad in some ways and things like that. So I guess there is some crossover there throughout. So, yeah, that's where it seems to get a little weird. And it's not too bad they end up all going into what seems like a club, even though I think it's part of the university. It's basically a nightclub in there. And then they're all dancing and people are making out and showing the boobs and that kind of thing. And so far it just seems pretty normal. Then, like, well, for a while it just seems like a normal film, but then, like, the woman, I forgot her name, the main character, I think it's Justine. What's that? [00:04:15] Speaker B: It's Justine, I think. [00:04:17] Speaker A: Yeah, justine. Justine is just as Alex or Alexia or something. They call her Alex. [00:04:23] Speaker B: Yeah. [00:04:24] Speaker A: So one of the first things I wrote down is how normal it is. But then I was like, okay, she just walks into a room because she's tired and she just sees her freaking roommate getting his cock nostalgia. Her face was a picture as I was like, what the fuck? Did I just walk it on? Yeah, because the vegetarian, she refused to eat the raw rabbit liver. But then a scene or two later, she's stealing a burger from the cafeteria and I'm like, Why did she steal a burger? [00:05:07] Speaker B: Proper puts it in a pocket, like dripping, don't she? [00:05:10] Speaker A: Yeah. What is it? A taste of meat. Makes them go crazy or something. That's why your mother was like, don't eat meat. [00:05:22] Speaker B: Yeah. I think when you've gone full circle in the film, there's a thing the dad says where don't ever have daughters. Yeah. And then obviously to spoil it a bit, but I'm sure if people are watching this, they'll have either seen the film, but the dad lifts his shirt, don't he? And he's got all bite marks, so the mum's clearly been noshing on him and gnawing away at his ribs and whatever. So I think it's like the cannibalism is almost a disease or a hereditary disorder passed through the females of the family. It seems once they've tasted meat, they're never satisfied again and they've got that growing hunger in them. Yeah, seems that way. The rabbit liver just like, kick starts her whole metabolism into wanting flesh. [00:06:19] Speaker A: Yeah, because at the beginning when she has her mashed potato, there's a bit of sausage or something in her and she doesn't chew it, she spits it out. But her mother says, did you swallow it? So does it matter? Like, maybe the swallowing of it? Because before she starts eating people, obviously she has the raw liver, which she doesn't want to eat, and she's sick. Then she steals the burger, and then not long later, she's eating a raw chicken breast straight out the fridge, saying, I was just going to get some cereal. And the guy's like, the cereal is up there. She's like, yeah, but I'm getting milk from the fridge. Which is fair enough. But another thing I thought was pretty creepy is what in one of the scenes was the truck driver. [00:07:18] Speaker B: Oh, yeah. There's some definite rapey tones with him. [00:07:23] Speaker A: Yeah. He's like standing here, like rubbing the guy's ear while having a conversation and he's like really weird. [00:07:35] Speaker B: Yeah, that's a deeply uncomfortable scene. [00:07:37] Speaker A: Yeah, that was not a pleasant scene, but I think for me, personally, the worst scene in the film for me is after that, where she's getting chewed out by her tutor professor or whatever the hell he is, about not doing well and letting someone copy off her and that kind of thing. And she's chewing her hair and then she runs to the toilet, starts being sick and then she pulls out like starts being sick and pulling hair out of her mouth. It's like, okay, fair enough, a little bit. But she's there for literally like five minutes pulling hair out of her face. And it's like I was literally like. [00:08:18] Speaker B: Yeah. [00:08:20] Speaker A: My exact thoughts were, how much fucking hair did she eat? I didn't see a single bald patch on her, but she must have had a heads worth of hair. [00:08:31] Speaker B: There's loads of it and you don't see any missing, so you're like, Where's that come from? [00:08:36] Speaker A: Whose hair she been eating? [00:08:37] Speaker B: Like, I mean, it implies that the sister's doing that thing where she runs to the road and falls down and causes a crash, meets people all the time. That that's her normal way of getting meat. [00:08:52] Speaker A: Yeah, because obviously to kick off the cannibalism thing, she's getting a bikini wax from her sister and the wax somehow gets stuck and won't rip off her pubes, which was fucking hilarious. You don't see any VAG for anyone wondering. It's just a bit of pubic hair. And the wax is stuck and she's pulling it, pulling it upon there. She's like it's not coming off. She's like, I'll get her scissors. So she goes to cut it and then the younger sister what's the name again? I keep forgetting it. I've got it written down as well. [00:09:30] Speaker B: Oh, Justine. Yeah, Justine. [00:09:32] Speaker A: Why do I keep forgetting that? Justine kicks her, saying, no, it's my pussy, or something stupid like that, and kicks her sister, and her sister slips and cuts off her own finger. And then she looks utterly shocked by it and faints on the floor. So Justine's rushing round trying to get the finger before quickly the dog gets the finger and she goes to put her A in the fridge and some ice and she decides to go, actually, no, I'm not going to do that. And she shuts the fridge door and sits staring at the finger for a while and then just start fucking nominee like it's a fucking chicken wing. She literally tastes some blood on her hand that's dripping off the finger and then takes a little nibble of it and then start literally eating it like it's a chicken wing or a small spare rib and a sister then wakes up, alex wakes up and she looks at her and just starts crying slightly. And I'm not sure if that's because she's eaten her finger or if it's because she's like, oh, shit, she's now the same, or what? I don't know. [00:10:45] Speaker B: I took it as relief because obviously the sister's been dealing with this cannibalism and thinking, oh shit, I've got to deal with this. Who can I tell? What? And now she knows her sister's a cannibal. It's like, I've got someone I can talk to. It's common ground, because I have to take it as that, because she just never seems that pissed off that she's lost a finger. [00:11:07] Speaker A: No, she does mention it once. They're playing a game and Alex says to Justine, she says something like justine says, oh, yeah, I was just curious. I want to see what this tastes like. And then Alex goes, well, couldn't you have been curious with someone else instead of my finger? And then she asked her what she tastes like and she said, oh, you taste like curry. You taste like curry. I was like, fair enough. [00:11:36] Speaker B: They have asked people who've at people what people meat tastes like, and I know the most common one is pork. [00:11:46] Speaker A: Yeah. [00:11:47] Speaker B: Why? They tend to call human meat long pig. [00:11:49] Speaker A: Yeah, exactly. Get some long pig. [00:11:54] Speaker B: Although I know Jeffrey Dahmer said that human tastes like Philly mignon, which is the tender cut off, I think a cow's rump or something. And I know that they used to try and get Aboriginal cannibals to stop eating human by offering them spam. Apparently that's what we're texture wise. Like. [00:12:25] Speaker A: I would never clue. I've never ate human. I don't plan on it. [00:12:30] Speaker B: I've read a lot about it because I went through a thing of watching all the DPP prosecuted films and there's a lot of cannibal ones. Cannibal holocaust cannibal terror cannibal Ferraris cannibal apocalypse. It's weird because since I watched all those old seventy s eighty s cannibal films, this is the first time I think I've seen a cannibal film. Apart from that, what's it called? Them hillbilly redneck weirdos. [00:13:07] Speaker A: Texas Chainsaw Massacre. [00:13:09] Speaker B: No, it's on those lines. It's a family called the Hill Liquor Family. And they are like hills have eyes. No, not the hills have eyes. That's a good film, though. West Craven. Hills have eyes. It'll probably come to me when we finish recording this. [00:13:28] Speaker A: Yeah, probably. [00:13:29] Speaker B: It's one of them ones where there's a whole chain of about four or five films and then there's a sudden. [00:13:33] Speaker A: Remake which is wrong Turn. [00:13:37] Speaker B: Yes, that's it. Yeah. Because it's like wrong turn, wrong turn two, wrong turn three, and then suddenly it's the wrong turn or summit. [00:13:47] Speaker A: Yeah, I think the first one got Elijah Dusk in it, or whatever you say her name is. [00:13:51] Speaker B: Yeah, I don't know how to pronounce her name. Bit like this film, I didn't know how to pronounce any of the actresses or directors names because obviously they're all French and I'm not used to it. [00:14:04] Speaker A: Exactly. And we might butcher them if we try and say them. [00:14:08] Speaker B: Exactly. [00:14:08] Speaker A: Also, one of the scenes in this film that I did not like because it was pretty gross, not in a oh, my God. Something disgusting's happening here. It's really freaky or really weird. It was when Alex had her hand up a cow's. [00:14:23] Speaker B: That's fine. [00:14:25] Speaker A: When she pulled it out, you saw a load of shit come with it. It was disgusting. I was like, I just ate a lot of popcorn as well. Mad. [00:14:38] Speaker B: Oh, dear. [00:14:39] Speaker A: Popcorn. [00:14:40] Speaker B: Watching that the horse in this that you watch gets sedated. That's a real horse. And they're really sedating it. [00:14:47] Speaker A: Yeah, it seemed like a real horse. I guess it's not so much of a problem if they're just sedating a horse. I guess if they were killing the horse, it'd be a different story. [00:14:55] Speaker B: Like well, I mean, that's why some of the old Cannibal films got banned. Because one of them, I think it's a turtle or something, they flip over and kill. And they really are killing it on camera. [00:15:09] Speaker A: It's before the no animals harmed stuff, is there? [00:15:13] Speaker B: Oh, yeah. Well, before that. [00:15:15] Speaker A: I think that's the difference, though, with this film and older Cannibal films is like they are more like gory over the top kind of things from my memory of what I've seen of certain ones. Whereas this seems to be, I don't know, kind of like a weird psychological thing going on. It's got, like intrigue and stuff. And it's not just about people getting munched and killed. [00:15:40] Speaker B: I know the director doesn't like it being called a horror film because I think she described it more as a coming of age drama sort of thing. And I'm like, well, yeah, it's a bit of a weird coming of age film, but it is. [00:15:54] Speaker A: Yeah. Unless it's meant to be like some sort of allegory for something else. [00:15:58] Speaker B: I do think it's an allegory for leaving your home and your parents growing up and coming into your sexuality. I think that's what it's really about. I think the Cannibal thing is like a cover for it. [00:16:13] Speaker A: Yeah. Speaking of sexuality, the sex scene with her and the guy the guy who's gay, where she's, like, going nuts and riding him and the only way she finishes is by biting into her own arm. [00:16:31] Speaker B: Oh, yeah. Because she's biting him so much and he's trying to stop her. So she bites into her own arm, don't she, to finish off. That looks intense. It looks proper. I mean, kudos to the effects, but some of the arm biting stuff, you're like, Shit me. That does look proper. Like they're digging in. And when they remove the teeth, it looks gushy. Like when her and his sister are going for it, biting each other. [00:16:58] Speaker A: Yeah, that was a funny turn of events because obviously her sister was, like filming trying to norm a corpse. And she's like, oh, take a bite. And then every time she tried, she'd move her away. Well, she was doing in front of loads of people who were the filming her, and obviously she was wasted, so she didn't remember it. And then she goes nuts on her sister and her sister bites a chunk out of her face. Alex bites a chunk out of her face. Like Julianne. Julianne. Julianne. [00:17:34] Speaker B: Julienne. Justine. [00:17:35] Speaker A: Justine. I can't even read my own brilliant Justine. Yeah. So Alex bites a big chunk. There is a big fucking chunk. He's a scar when he's healed up. [00:17:49] Speaker B: Oh, yeah. [00:17:50] Speaker A: There was at one point that they showed a dog, like later in the film, after Alex had been eating people, I wrote down why'd they show a dog. What did I miss? Because I don't think it was the same dog from the beginning, so I kind of missed what was going on by the do you know what that's about? Or I can't remember. I should have wrote down timestamps with my notes. I'll do that from now on. [00:18:16] Speaker B: Not a clue. Because I know their dog. The dad says it's put down, doesn't he? [00:18:22] Speaker A: Yeah. [00:18:23] Speaker B: They blame it for eating a finger. [00:18:25] Speaker A: Yeah. Saying, yeah, but they didn't attack her. I was like, yeah, but once they. [00:18:29] Speaker B: Taste blood and I thought that was weird. I says, oh, once you've tasted human blood, you might as well be killed, sort of thing. And it's his daughter he said it to and she's the one that really at the finger? [00:18:40] Speaker A: Yeah. [00:18:41] Speaker B: Whoa. [00:18:43] Speaker A: Harsh. Also, I don't actually know what this is about, but I just wrote this is not weird at all, but I don't actually know what it was about. But I did like the scene where the sister is like, oh, we need to talk, and they walk off and sit down out by the grass and a fence by the roadside, and she's like, oh, what do you want to talk to me? I was like, what do you want know? You said you want to talk to me. And she's like, oh, you're exactly like mom. Well, Mama, or whatever they said. And Alex said back. Not Alex. Justine said back. Yeah, and you sound like like I thought it was going to be like a big conversation about the finger doesn't get mentioned and then obviously she just jumps in front of a car, the car crashes and Alex starts eating like the passenger, his head while he was still alive. Yeah, that was and Justine's like, stop, don't do that kind of thing. But she wanted to do it as well, I think. [00:19:54] Speaker B: Yeah. And I think that was her trying to teach her sister how to basically kill people to eat as such. [00:20:01] Speaker A: Yeah, I think it was. I think she does say showing you how to cope with it or something to that effect. [00:20:14] Speaker B: Yeah. [00:20:17] Speaker A: A very OD film. One thing I also found, which was really fucking Weird Joe in the club, like scenes in one of them near the end where she's trying to bite the corpse. Before that, there's a guy and a girl, like, dancing together. And then the woman starts licking the guy's eyeball. [00:20:43] Speaker B: Yeah. [00:20:44] Speaker A: Why? [00:20:45] Speaker B: I don't know. I just assumed they show off the tits. That that seemed like a good idea. [00:20:51] Speaker A: Literally, he's like, looking up in the end. She's like, licking the white of his eye. And it's like, what the fuck? Seriously. [00:20:59] Speaker B: That's just why gross weird in it. [00:21:03] Speaker A: Yeah, but what did you think of the film altogether, then? [00:21:10] Speaker B: It's not a bad film. I mean, possibly without this podcast I wouldn't have watched it because yeah, I remember you gave me the films to pick and I said this one. And I got about halfway through it and you messaged me and went, it's all in French. Is that okay? I was like, well, soon as I'm 50% through the film now, yeah, it is. [00:21:35] Speaker A: I didn't realize it was French. I just saw the film there without raw. That sounds all right. And I was like, what about this film or this film or this film? And then you're like, oh, what's that? And then I was like, Wait a second. Like, ages later. I don't know how long later. A week later, we're a week at all. I was like, oh, it's all in French, dude. [00:21:59] Speaker B: I've enjoyed some subtitled films before, but it does put me off because I'm lazy in that sort of way. [00:22:05] Speaker A: I have no issue with subtitle films personally. The only time I don't like watching a subtitle film is when I'm trying to eat because I tend to look at my like down at my plate and things like that. And I might miss something. Like trying to write my notes whilst watching the film. Like with other films, I can quickly look away and write something. With this, I couldn't because if I looked down and started writing something, I missed something that was said that could have been integral to the story. So without putting the pen to paper and writing, half my shit is all over the place. But I think the end was pretty good with her sleeping in the nor the final scene. But she wakes up next to the guy. I forgot his name as well. I need to start writing character names down. Adrian. [00:23:00] Speaker B: Adrian. [00:23:01] Speaker A: Adrian, yeah. And he's soon to be asleep and then she touches him and he must be cold or something because she's like, oh, my God, what's going on here? And she tries to play with his winkle, dirty girl. And then his hand is covered in blood. And she's like, oh, shit. Checks his leg. Half his thigh is missing. Yeah. And she's like, oh, my God. Why didn't you stop me? Why didn't you hit me? Or something like that. And she's like, pushed him really distraught because she thought she'd killed him. And then she gaz up all like, oh my God, what have I done? And then notices in the back of him is like a puncture wound from a ski pick stabby thing. I've got what they're called. [00:23:53] Speaker B: Yeah, the pointer on the end of it. [00:23:55] Speaker A: Yeah. So she realized then her sister had done it, killed him, and then started norming him. And I wondering because she was going to lock her in the room, weren't she? She's like, I'll lock her in. I don't know what the thought was. This was the thought, oh, no, she might nom me while I'm sleeping. Or is she thinking, oh, I'll keep her for later, I'll eat her myself, or what? But she didn't lock her in. She thought, no, I won't, for some reason. And then obviously that happens to Adrian. And after the fight, this sister goes into, like, a weird state because she's like zombified. Kind of like she's washing her in the shower and stuff. Alex is being washed then in the shower. And then she dresses her, sits her down. And then even after she kills Adrian, she's just sat by the fridge, not really reacting to anything. No, it's after she killed him. She washes them down after they fight. They don't really speak much. They just hug it out. I guess it was after she killed Adrian that that will happen, where she washed her off and changed her clothes, that kind of thing. But it's just weird that she seemed to be in some sort of weird fugue state. [00:25:21] Speaker B: Yeah. Like that had snapped her. But yet she didn't seem bothered about killing people before or out. [00:25:30] Speaker A: Very strange. But, yeah, I did like it didn't the very final scene where she's talking to her father and she's like, yeah, your mother and me, when we got together and we kissed before we kissed, she told me it was the first time she'd ever kissed anyone. And I thought, oh, you got a cleft palate because of the scar on his lip. I didn't think about it. I honestly didn't click. And then she like and then and then he goes, and then I found out why she never kissed anyone. And I was like, Ah, shit. That's where she bit a chunk of his lip off. He stitched back together, but funnily enough, he stuck with her and then obviously lifted his shirt. He was covered in scars. [00:26:18] Speaker B: Oh, yeah. It's definitely been a lot of nibbling there over the years. [00:26:24] Speaker A: Yeah. And she's a vegetarian. [00:26:27] Speaker B: Yeah. [00:26:30] Speaker A: Liar. But, yeah, I rather enjoyed the film. I thought it was like it's hard to judge with acting when it's like foreign language and stuff, because I know it sounds daft, but when someone is delivering a line in English, you can kind of judge to your own criteria then if you think it's been delivered well and that kind of thing. But with a foreign language film. It's harder to do that because it's a different language, for one, there's different is it afflictions inflictions that kind of thing? Not inflictions as like being cut up and stuff, but there's different cadences and what have you to different languages. So it's harder then, to judge that. But from what I saw, I liked everyone in the film. Even the horse was a good actor. Played, fallen asleep, relie very well. [00:27:37] Speaker B: Yeah, you can't tell what words they put an emphasis on or what syllables they're drawing out because it's all just one stream to you that means nothing sort of thing. So it is hard. So you are studying their body language more and things. [00:27:52] Speaker A: Yeah, I agree. [00:27:58] Speaker B: Equally. You've got the problem with dubbed films, aren't you, of the fact that with a dubbed film for every actor, you're like grading two different people because you're like going, Are they moving? Right? My dad was watching this film the other day about Vikings, and I walked in and the people who were voicing them sounded about as unviking as possible. They sounded dead poetic and like they were in a Shakespearean play. And I was just like, this is off putting, it doesn't fit you're expecting to be. And they stood, they were like, oh, that Go here. And he's like, oh, this is why. [00:28:39] Speaker A: I tend not to watch dubbed films. I tend to watch them with subtitles because it just seems right. It seems right. Even if it's like, bad, you probably won't pick up on her as much as if it was badly dubbed. [00:28:58] Speaker B: A good dub is nearly as okay as being in your own language, but a bad dub is sometimes truly awful, either to unwatchable extents or comical extents. I used to find it funny, the old kung fu films where they were talking and the mads are moving for about five minutes after they've finished talking. [00:29:20] Speaker A: Yeah, some of them. [00:29:22] Speaker B: So poorly done. [00:29:23] Speaker A: Yeah, they were really bad. Terrible, terrible films. Pretty bloody racist when you look back at it, to be fair. But yeah, definitely they should try and do things better than that, which they do, to be fair. You don't tend to get that anymore. I think that's going to be it for Raw. Would you like to give us some final thoughts on the film? [00:29:59] Speaker B: Yeah, I do think definitely it's a coming of age type film and I definitely think that the whole cannibalism thing is a sexuality allegory, or whatever the term is. And I know that they were handing out vomit bags for this film and stuff and that might put some people off, but yeah, there is a lot of gore, but it's not the central point of the film, I don't think. So. I wouldn't let it put you off. If you're not into gory films, even if you have to watch a bit between your fingers, it's worthwhile. [00:30:40] Speaker A: Yeah, the thing is, I don't think it's particularly gory compared to a lot of other films out there that may have a similar cannibalistic kind of thing, because I think a lot of it is, to me, this is a more psychological thing than anything, if you know what I mean. It's not like gross, apart from the hay. The hay thing was fucking disgusting, but the actual biting on people and stuff wasn't particularly bad. I think the worst bit is the guy's leg at the end, but even then, it's like, it's not that bad compared to other things. And it does seem to me to be more about the mind of the character, like the way they act, the way they try and control things, the way they try and express themselves. Like I said, it doesn't seem like a horror kind of film. It can be pretty graphic, I guess, in some little bits, but for me, it's more of a psychological thing going on there than anything, because Alex is saying to know, has it been hell without me there? Kind of thing. So I'm guessing this is all about liberation and freedom and that, but it just takes a bit of a twisted look at the yeah, I rather enjoyed it. I thought it was really good. Definitely, if you haven't watched it, watch it. But the chances are you've probably watched it to be listening to this. Yeah, but, yeah, I really enjoyed it. I haven't got any quotes that I thought was particularly great for this film, because it doesn't like a quote written down when you're reading something. It's not going to have the same kind of thing as it being said. If I could speak French fluently, then it'd probably be like, oh, right, that actually was a really good line there. But I can't do that with this because if I written something down, it wouldn't give you the same kind of it doesn't have the same kind of appeal. [00:33:05] Speaker B: Yeah, same here. You can't pick out favorite lines from a film that's subtitled, really. [00:33:12] Speaker A: Yeah. I think that is going to be it for the podcast. I would like to thank everyone for listening. I would like to thank Kerr for taking part. Would you like to plug anything, Kerr? [00:33:31] Speaker B: Just obviously, my YouTube channel like normal, and as I mentioned earlier, I've watched a lot of the Band Cannibal films, so if you put in Kerr 9000 and Cannibal, if you like this sort of thing, you'll find plenty there. [00:33:47] Speaker A: You will find Kerr eating a horse and then after he eats the horse, he has a child for dessert. He doesn't. That's just disgusting. Why would you say such a thing, Ker? But, yeah, thank you very much, man. I will see you again very soon. And for those listening, I will be back with a game on the Heads'game Shack next week. And in a fortnight, we'll be back with either zombie vers, which I know we've been saying for a while, but can't. Help it. If not zombievers, then we'll have a look at something else. So take care and bye bye. [00:34:30] Speaker B: See ya.