Watership Down.

[00:00:06] Speaker A: Hello, and welcome to the Pugsley crew reviews where we talk about all manner of films, whether they're good, bad or just okay. We'll watch them and enjoy them or enjoy talking about them, at least. Again with me this week is Ker 9000. How you doing, dude? Hi, old chap. Doing well? [00:00:24] Speaker B: How are you? [00:00:25] Speaker A: Yeah, I'm not doing bad. Not doing bad. Just chilling out, walking to the dog, as you probably heard, calling weird as you come running down the stairs, locked up by the front door and then come over here and jump on the seti for no reason, still looking at the front door. Well, direction of the front door. Um, this film we watching this week is watership down. It is a film about rabbits, an animated film about rabbits, I should say. And surprisingly, which I would. I knew this film was a children's film in the sense of it was rated like you or something, but universal. It's still you. I watching this film. I was watching this thing. I would have thought this film would have had a higher rate, even pg nowadays because they seem to be a lot stricter on that kind of thing. And even though it's animated and I think that's the reason why it's a you. You see about 12 million rabbits get murdered. It's blood constantly throughout it. I think to myself, yeah, that's surprising. There is points where, like, rabbits have chunks of them ripped out by other rabbits. There's blood frothing at the mouth, like, there's 1.1 of the characters. Bigwig gets trapped in, like, a noose around and has it around his neck and there's all, like, blood pouring out of his mouth, out of his fucking nose and he's properly dying and you're thinking, you're like, wow. I was like, I said to the missus, you won't get children's films made like this nowadays. [00:02:15] Speaker B: Oh, no, no, you wouldn't. I mean, this is a kids film which probably has a higher body count and arguably more blood than some of the horror films we've reviewed. And yet this is you. Interesting fact, this is apparently the film that the British Board of Film classification has had the most complaints about. [00:02:35] Speaker A: Really? [00:02:36] Speaker B: Yes, strictly because it's a you. And people have sat their kids down because you supposed to be universal for all. Just let anybody watch it. People have sat their kids down in front of this and it's given nightmares and screaming fits. [00:02:50] Speaker A: Wrought in my notes is I wonder how many people watch this film as a child and end up with nightmares. [00:03:01] Speaker B: Oh, definitely. [00:03:03] Speaker A: This is the thing with this film, it, like, films are a good gateway for children to learn about death and that sort of thing. But this is a pretty brutal film. Like, you've got a rabbit, that fiver. He's constantly having premonitions of fucking people dying. And he's like, okay, right. We go back, we'll go to the start of the film, right? It starts off, everyone's happy. Well, it actually starts off with Frelura or something, I'm not sure. And he's like, he's really happy with all his other animal friends. This is like, basically God for the rabbits, I think. And the Prince rabbit, like, bounding around all happy with all his animal friends. And they were all happy, and they all ate grass. And then rabbits kept multiplying because they were dirty bastards and kept shagging because that's what rabbits do. And they were eating all the grass. And Frey Lara, or whatever his name is, I should write it down so I could read it. [00:04:22] Speaker B: That's it. It's Frith. [00:04:23] Speaker A: Frith. Frith is the God thing. [00:04:25] Speaker B: Llras the rabbit. [00:04:27] Speaker A: Yeah. Ll getting the names kind of intertwined because I couldn't remember because I'm terrible for writing names down. Uh, so Frith is like, yo, dude, tell your rabbit buddies, calm down on eating and stop shagging so much. And he's like, nah, we the strongest here. We gonna eat what we want, do what we want. And Frith's like, oh, really? And then turns all the normal animals into animals that eat rabbits. And one of the first things you see is, like, loads of rabbits eating grass. Like, it's got a weird animation compared to the rest of the film. And they're all eating grass. All of a sudden, a dog comes across and kills a load of rabbits. Cat comes and kills a lord badger comes and kills dead rabbits on the floor. And it's like, wow, he's about 20 dead rabbits. In the first little, like, minute intro. It was good. [00:05:26] Speaker B: And then it sets the pace, definitely. [00:05:30] Speaker A: So obviously, elegance bestowed a gift as well. Be fast and whatever else so he can escape his prey, escape its predator. Sorry. And then it cuts to hazel and fiber and, like, like, oh, no, something's gonna happen. Oh, we must leave. And they tell, like, the chief rabbit, they need to leave because something's coming. He's not sure what, but something is happening. And, like, obviously they leave with a few other rabbits for some reason, they're not allowed to leave. I don't know why they're not allowed to leave. It's like, no, we're gonna take you back. You're not allowed to go. And it's the same with another rabbit colony. No one's allowed to leave. It's like as if you leave the colony rabbits, there's something wrong there and you're not allowed to do that. I don't know why. There's probably some, like, allegory to something and I just haven't picked up on it, but, you know, so they leave. And then later on, one of the characters that you see who tries to stop them from leaving, he manages to catch up with them and he's like, they're all dead. Everyone's dead. It was the humans. They dug up the land and everyone's dead. And then he had this, like, weird, like, animated thing where all the rabbits were, like, stuffed in holes, screaming for help and shit. And it's like, oh, yeah. [00:06:57] Speaker B: It explains how they were gassed in the holes and stuff. And you're thinking, wow, it's. [00:07:03] Speaker A: Yeah, all the rotten rabbits were killing, like, the stench and everything. And it's like, wow, the. It's a. An film, but it's a very good film. I really enjoyed it. But it does. It does, I guess, get a lot of kids used to the idea of death with the fact that 90% of any rabbit scene is likely to have died at some point. Like, skipping right to the very end, it shows hazel being old and dying. That's. That's what. The end of the fucking film. Hazel dies. One of the main two characters, which is Hazel and fiverr brothers. Hazel is seen being like, oh, I'm old now. And he. And, like, the rabbit of the black rabbit of death comes along, is like, hey, do you want to come with me? And he's like, I don't know. And he's like, yeah, you do. And he's like, okay. And then he lies down and dies. He's like, wow. But there's a lot going on in there. And it's like. It shows, like, cleverness of the rabbits. Even one of the earlier scenes had me laughing where they're like, was it a root toot on? [00:08:31] Speaker B: Oh, yeah, the car. [00:08:32] Speaker A: And he's like, see, they have no interest in us. And he stands on the road, and one drives past, like, see? No interest. And another one comes speeding past from behind. Jest about misses him. And he's just fucking bounding across the rope, freaking out. [00:08:49] Speaker B: Who's your favorite rabbit in it, then? [00:08:52] Speaker A: Oh, I don't know. I like bigwig a lot. [00:08:57] Speaker B: I like bigwig. [00:08:59] Speaker A: He's cool. Bit of an asshole, but kind of, you know, I like it. [00:09:07] Speaker B: Wound war assumes because bigwig's the biggest and the toughest that he's the chief. [00:09:12] Speaker A: Yeah. [00:09:13] Speaker B: And then he turns around and, like, my chief, hazel's told me to watch this run. [00:09:19] Speaker A: Yeah. [00:09:19] Speaker B: And wound what's just like, your chief, like, proper shocked by it. [00:09:25] Speaker A: Yeah, yeah. I like that. I also liked at the end where Moonwater is, like, comes out of the burrow where Bigwig and a few of the other rabbits are, and he's like, what's going on? Stop being cowards. And then he sees dog. Dogs are not dangerous. It's a fucking Rottweiler or something. [00:09:49] Speaker B: Yeah. [00:09:50] Speaker A: And then he. He attacked the dog. So you had balls. Gotta give him that. [00:09:55] Speaker B: Yeah, yeah, yeah. [00:09:56] Speaker A: It's proper manipulation. And then it shows. Then he's talking about rare. It's like. And no one knew what happened to the body of. I was like, wow. Fucking the dog. Full on acting. But children are told tales that if they misbehave, General Woo will come and get them. I was like, wow, what the fuck? [00:10:22] Speaker B: It was the same year this came out that the animated Lord of the Rings came out, was it? Yep. 78. And there's a connection to them as well. They share two actors. [00:10:33] Speaker A: John Michael. Yep. [00:10:35] Speaker B: John Hurt is Hazel in this, and he's Aragorn in Lord of the Rings. And Michael Graham Cox. That's bigwig. And this is Boromir in Lord of the Rings. [00:10:47] Speaker A: I didn't know, though. [00:10:48] Speaker B: So it's quite cool because obviously it's two characters that interact a lot in the one film. Where two characters interact a lot in the other film. [00:10:57] Speaker A: Yeah, agreed. Do you know one thing as well I forgot about with this film. Right. Do you know one thing about this film? There's a bird in it called. I think it's Kia. [00:11:09] Speaker B: Yeah. [00:11:11] Speaker A: And I think he's rushing and. Yeah. That's why I was thinking this is a you. There's loads of violence. And then they speak to the bird, Kia, and they're like, hi, we're at. Yeah. He's like, piss off. [00:11:23] Speaker B: Yeah. [00:11:25] Speaker A: It's like, what? [00:11:27] Speaker B: I just assume with the weird way the bird talks and hisses that whoever was classifying it didn't catch the swears and just thought it was a hissing. [00:11:38] Speaker A: Yeah, that was definitely a piss off. [00:11:41] Speaker B: Yeah. [00:11:42] Speaker A: There's no. No two ways around that. That was simply piss off. [00:11:48] Speaker B: It's one of those films, though, where loads of the voices in it are really familiar, but I don't. I couldn't tell you their names without, you know, like, researching it, I did. [00:11:59] Speaker A: Look at a look at the names. Not intentionally to like who does what. But I was looking on Internet movie database. Get information like genre, director, age, rating, runtime, that kind of thing. Cause I had to put her in the overlay for the YouTube video. And Ken, I know that Ivan is like, he was in, like, the actor was in like some program where he's like married to a woman and next door another couple. Carmen, war is cold. [00:12:34] Speaker B: Yeah, I know the one you mean. I can't think of the name, but it's like a light comedy, drama y sort of thing. [00:12:43] Speaker A: Yeah, I remember the name of it. [00:12:47] Speaker B: And I know Pipkin is Roy Keener, who was the dad of Veruca Salt in Willy Wonka. [00:12:57] Speaker A: Oh, right. Yeah. He was quite big for a while. I mean, fat like me. Like. I mean, no, big is in quite a bit around. Like. I tried to think of what that program was called. It's from the eighties as well, I think. [00:13:20] Speaker B: I was gonna say upstairs, downstairs, but it's not. I don't know why that just floated into my head. [00:13:27] Speaker A: Much ado about nothing, maybe. No, no. [00:13:34] Speaker B: The good life. I believe it's a series. I know it's summer. I'd walk in and my dad had on sort of thing. [00:13:45] Speaker A: Yeah. I can't remember. I remember seeing him in things. He's even been in doctor who and stuff, so. Oh, yeah, I think it might have been the good life. Richard Briar, I think his name was. [00:13:59] Speaker B: Yeah, that's it. [00:14:01] Speaker A: Yeah. But like, that's the thing. It's like so many. The thing with the film is. Is like, shows Hazel older dying. You don't really see what happens to fiverr after. He's like, there's a dog loose in the woods, that kind of thing. And then. Yeah, you don't see him after that. I was thinking, did he die from shock? [00:14:24] Speaker B: I just sort of presumed that they all lived quite long, happy lives and that they just showed Hazel dying, as, you know, an example that they'd all live long, happy lives and that the Warren would continue no matter what. [00:14:40] Speaker A: Yeah, makes sense. And the thing is, I think it's based on a book. So. [00:14:44] Speaker B: Yeah, I've read the book, but not for years. I've read it a couple of times. And there's a. [00:14:51] Speaker A: I was going to. [00:14:51] Speaker B: Say a follow on book, but I think it wraps around before and after. [00:14:56] Speaker A: All right. [00:14:56] Speaker B: Which is like more tales of watership down or something. [00:15:00] Speaker A: I know there was a lot like a later tv series and I think a rebooted film. [00:15:04] Speaker B: Yeah, the rebooted film came to Netflix or something. And I know Kia was played by Peter Capaldi, Doctor who, and it was all right. I think James McAvoy might have had something to do with that one as well. [00:15:18] Speaker A: Was it as brutal as this one? [00:15:20] Speaker B: I remember I saw it the once decided it was good but not as good, and then have, like, defaulted to watching this one again. [00:15:30] Speaker A: Yeah, it's a really interesting film. At the end of the day, this. There's like a few. A few, like, threads of different, like, you know, finding your own home safety. There's probably other things there as well that, like I said, I probably didn't pick up on, like, what the fuck's. The owls are meant to be some sort of fucking army camp. [00:15:53] Speaker B: Yeah. I think the Ausla are like the officers and guards and stuff. [00:15:59] Speaker A: Oh, it's just like. I really enjoyed it. It's like I said, it's a film. Like, I think I first saw this when I was a child. I think I was up my nan's and I was sitting in chair and it came on the tally and I was watching. I was like, this is really bad. Probably like five or something, you know, about ten years, say after it came out is when I would have seen her. I'm younger than the film. [00:16:29] Speaker B: Yeah, I am as well. I remember at one point it was on, like every easter without failing. [00:16:38] Speaker A: That's probably where I saw that if it was on it. [00:16:40] Speaker B: And I know the tv studios got complaints every year about it as well. [00:16:47] Speaker A: They should start putting it back on. [00:16:50] Speaker B: Well, you know what I'm saying? Any press is good press. I do know something I've never seen, but connected to this that I want to see. Richard Adams, the guy that wrote Watership down, wrote a book called the plague dogs. [00:17:11] Speaker A: All right? [00:17:12] Speaker B: And there's a film that was made of that in the early eighties. It's about two dogs who escaped from a laboratory and they're hunted because they might be possible carraghers of the bubonic plague. [00:17:24] Speaker A: All right? [00:17:26] Speaker B: And I know John hurt voices one of the dogs, and apparently it's supposed to be equally dark and morbid and as wartship down is. [00:17:36] Speaker A: What's the. You said you read the watership down book. Is that as bad as this? Like in the sense of Islar of, you know, pretty dark. That was a bad as this. But does it have the same sort of violent kind of things? [00:17:50] Speaker B: And it's very, very similar. But the only thing I remember is I think there's even more characters and they kind of condensed two rabbits into one for this in several occasions. And just to simplify it so you didn't have to remember so many people. [00:18:05] Speaker A: Yeah, well, originally, when they leave, a lot of the rabbits get caught, don't they? And there's like six of them left or something by the time they actually escape the first burrow. Because obviously bigwig leaves the group for a day or two and he's like, well, a day, I think. And it's gotta be longer than. And he's in general Wunwat's group and he's like, yeah, we'll meet up and I'll bring some more rabbits from them. Lots. Or, you know, because, you know, we need, we need. We need something to be able to breed because everyone that was there was male, weren't they? Yeah, that's what the, um, the. That's what Keyeyard says. And he's like, you've got no mate. You need chicks. [00:18:59] Speaker B: Stupid bunnies. [00:19:02] Speaker A: Exactly. [00:19:06] Speaker B: I do love him. [00:19:07] Speaker A: He's great. [00:19:08] Speaker B: Yeah. [00:19:11] Speaker A: Crazy bird leaves. Should have stayed around because one of the things like Pipkin or someone says he's like, oh, he's probably gone to that big vata of his. [00:19:28] Speaker B: I do like it when. When fiver starts having one of his fits down in the tunnel and he's making the noises and the two rabbits at the top of wuz go, they're a giant bird who turned into a shaft of light. And now they've got something moaning down the tunnel and there was something that came among the water. We should go home. [00:19:49] Speaker A: Yeah. And then one more goes, what was that? Who said that? And then the raptor. Nothing. No one said anything, sir. You're hearing things, man. [00:20:06] Speaker B: It makes you wonder. The ephrathah, where woundwalk came from. I wonder what happened to that after wound wart went, because he obviously took himself and most of his worser generals away with him, so. [00:20:21] Speaker A: Yeah, and they got fucked up by the dog, like. [00:20:24] Speaker B: Yeah, probably quite nice for the ones that were remained at Ephrathah when the crackpot dictator doesn't return. Or none of his men. [00:20:31] Speaker A: Yeah, yeah, I agree. He probably did turn up better for them there. Possibly. Or maybe there was some leftover that still carried on the same traditions. Who knows? [00:20:45] Speaker B: I felt sorry for that blackavar, the one who had his ears torn out because he ended up at the warren with Hazel's lot, didn't he? And he's one of the first ones that gets killed when they're, like, breaching the warren. [00:20:58] Speaker A: Yeah, he stands up for himself he's like, you lot, go on, I'll stand, I'll slow him down kind of thing, and just get mauled. That's the thing. When the dog turns up and starts killing all the rabbits, he's literally like, not. It's not like he, like, chews on one and eats ace. Like, he literally just grips them in his mouth, kills them, shakes them out and flings them and moves on to the next. So much to play with. It's a really good film. [00:21:33] Speaker B: Oh, yeah. [00:21:34] Speaker A: Like, it's an interesting film to watch. It's like, it's quite surprising as well, because obviously, like, the point of the film from the beginning seems to be they just want to get to a place to have a new war run, and that'll be the end of it. But it's not. They find that place, say, about halfway, three quarters of the way through the film, and then they like, oh, no, we have no other. We need to get more rabbits to join us. We have no female rabbits. So then they have to go to another warren, break free rabbits from there. And then they do that, and then they go back to the other place, and they're all like, yeah, we save you. And then general Wumort and Cor find them. So it's quite a bit going on. And, you know, it's just a good film. [00:22:27] Speaker B: Oh, yeah. [00:22:28] Speaker A: If you haven't seen this fucking film. [00:22:30] Speaker B: You want to see it, definitely. It really has got me pumped to try and find plague dogs and watch that now, so. Because if it's half the film watership down is, then, you know, it's going to be amazing. [00:22:45] Speaker A: Yeah. To be fair, though, thinking about animal stuff like this was quite brutal in a lot of things, but, like, in the nineties, there was a tv show that I remember called, like, animals of Farthing Wood. Yeah. Wasn't as brutal as this, but animals throughout that show did get killed when traveling from one place to another. Again, a similar premise of humans were destroying this land and wanted to move to another. So they were trying to find a new place and, like, things happened where, like, I think a hedgehog got run over by a car and stuff like that. So there was that kind of stuff then. But no, but one thing I liked about this where it's like, yeah, the humans, like, busted up all the, like, killed us all in the burrows and what have you, and one of them turns around. I'm not sure. I think it might have been fiverr. It begins like, yeah, those humans always hated us. He's like, no, they didn't hate us. We were just in the way. So, yeah, it wasn't like about whether they like you or not. It was a simple fact of humans wanted to do something and be damned. Anything else? There. [00:24:01] Speaker B: There's a thing where I think, and it's funny that this came out in the same year of Lord of the Rings because I think both of them, there's stuff about like, over industrialization in them. [00:24:12] Speaker A: Yeah. [00:24:13] Speaker B: They're looking at like an old fashioned country way of life and freedom and being on the land. And then development is over. Developments like the big evil, if that makes sense. [00:24:28] Speaker A: Yeah, yeah. That's one of the things they say in watership down, is, uh, the humans are gonna ruin, like sit on about like, the world and blah, blah, blah at that point. And he's like, yeah, those. The humans are gonna ruin the world, ruin the earth. So, like, even back in like seventies, they will walk. [00:24:53] Speaker B: Yeah. [00:24:55] Speaker A: Nah, seriously. Even then they were like, there was people were conscientious of over industrialization and overworking things and not taking care of the planet. And even after all these years, we still at the point where a lot of people are denying these problems and not helping and that kind of thing. [00:25:21] Speaker B: Yeah. And I think people will deny it right up to the point when the planet's totally dead. It's just in human nature to a degree, to turn around and go, I don't see anything. [00:25:34] Speaker A: I've seen a few things in the recent years being like, yeah, this isn't happening. This isn't happening. Turn to, okay, we were wrong. It has been happening. But, well, it's a bit late now, so whatever. It's like, well, no, it's not. Oh, well, I give up with people. I'd rather watch a film about rabbits. A helmet, definitely. Are you? But, yeah, bigwig is cool. I remember when I was younger, I always really liked fiver. I don't know why. Because he doesn't really do much other than, uh, tell everyone they're gonna die. Yeah, we're all gonna die. Shut up. You get on my nerves. That's basically what they all keep saying to him. [00:26:26] Speaker B: I love when you've got that girl rabbit. Heisenflay. That's it in LlR. She goes, I know it'll be all right, bigwig, and you'll come for us. I just have this feeling. And he goes, you should meet my men. My mate Pfeiffer, he has feelings like that as well. Somewhere like that. [00:26:48] Speaker A: Um, I like the first warren they come across, which is pretty empty. There's about five or six rabbits there, something like that. And, uh, it's because the warren, like, the people chuck food out and then kill them and probably eat the rabbits. And they're like, oh, we don't, we don't care for your, uh. What was it, Freyler? [00:27:10] Speaker B: Oh. Tales of Elle Lara and his trickery. They have no place here. We're civilized rabbits who know when it's time to come and go. He's like Noel coward, the rabbit. [00:27:21] Speaker A: But he's funny because he's like talking about, oh, river of black, take me with you and stuff. It's like, wow, this is a really fucking depressed fucking burrow of rabbits, man. They're just like, we belong to death. I think that's what the film is kind of is about, is like different emotions, different, you know, feeling different things, dealing with different things. The planet going to shit. Humans being bastards, killing all the poor rabbits just because they wanted to develop something on the land. And I was, we were watching it and there was a, was the, um, there were, there was farmers at one point where they shoot Hazel and you. They were talking. I said, they sound very north. And I said, just across the way you could see Emma day. Look. [00:28:21] Speaker B: This rabbit, I think he's got them bushes. He has. [00:28:24] Speaker A: Exactly. It's a good film and I think it plays out well. Like they always. They seem to be. It seems to show that the rabbits are clever as well. It's like initially it starts off with them just trying to get places, but they start forming plans, like how to, with fiverrs, like at the end, like there's a dog loose in the woods and that kind of thing. Well, they find a way by having like several rabbits running to, to a checkpoint, one rabbit to one checkpoint, then another one to another point and so on and so forth, to like, bring a dog along to the, um, to where General Morton, everyone was who were trying to get into their place. I did like the cat as well. Oh, can you run? I think not. About to kill Hazel. And then the woman comes out like, leave that rabbit alone. The cat's like, fuck. Saying again. Cause she almost had him before. Was caught. Told by the fucking owner to leave them alone. I bet that cat is so pissed off. But yeah, this is a, this is a really good film. I think, like, it's a bit more violent than your typical you and a bit more emotionally taxing your typical you. But I think it's well worth watching. [00:30:00] Speaker B: I'd definitely give it a pg. [00:30:02] Speaker A: Yeah, I would give it a pg as well. I think. I don't know why. Like I said, maybe because it's an animated children's film and it's a ten. You know, they kind of give her a, you know, it's on your kids film, it's a cartoon. What's the harm? You know, but. Ah, well. Is there anything else you'd like to say about this film before we end? [00:30:27] Speaker B: No, just. It's one of the very best films we've talked about on the podcast. [00:30:35] Speaker A: Agreed. I am a big fan. It is well animated. The voice acting is great. It's action packed, surprisingly, considering it's a film about rabbits who just want to go from one place to another. There's a lot going on. And I think if you probably, you're good at picking up on things, I reckon there's probably quite a few things that we missed out on ourselves in, like, allegories and things, but it's basically a fucking about living life and dying. But it's about. Yeah, but I think that's gonna be us. If you haven't seen watership down, check it out. It's from 1978. There are other versions of it. I don't know if they're as good, but. But check out this one first. Then if you want to look at the others, then do that. That's what I'd say. Cause this is a really good film. I would say it's nostalgia talking. But, like, even my missus enjoys this and she watched it for the first time when she was like 30 or something. And she doesn't like, generally speaking, she doesn't like animated features because she's just not into them for some reason. Some people like that, where it's like, I don't like animated stuff, but with this, she does actually enjoy. Even the other day we sat down to watch this together and, you know, she didn't like, say, I've seen her. I'm fucked off. Sat down, watched it with me. Goes to show that it. Well, my point is there is. It's more that this film captivates your character, like, kind of keeps you intrigued with what's going on. It keeps you, it keeps your attention. It's a good, good film to check out. But with that, I think it's time we end. We'll be back in a fortnight. Not sure with what. It'll either be Black Friday, or that's already been done, and we'll be something else. I'm not sure. Either way, take care of yourselves. Thanks again for taking part. Care. It's been a massive pleasure as always. [00:32:49] Speaker B: Been nice being on. Thanks for having me again. [00:32:52] Speaker A: Yeah, no worries. And I didn't say why we picked this film. We picked this film. Actually, right before we go, the reason why we picked this film is because I think I mentioned it about like a film and I said, oh, well, when I was a kid, I watched watership down and I'm fine then we like, yeah, we should do that. Well, you said, yeah, we should do that, so we did that. That's what it was. Simple as that. We should do that. Let's do that. Yeah. Anyway, thanks, everyone. I will see you again soon. Bye bye bye. But for Fritz sake, I get a plenty soon. Well, he's hurt and we want to help him. A bird? What for? We help you piss off.