Episode Transcript
[00:00:00] Speaker A: Foreign.
Welcome to the Pugsley Crew Reviews podcast where we talk about all manner of films, whether the good, bad or anything in between really. We'll give them a watch and give you our honest opinions.
Today we have joining us again as usual, Ker9000.
[00:00:23] Speaker B: Hey, up chat.
[00:00:24] Speaker A: How you doing, dude?
[00:00:26] Speaker B: I'm doing all right. How you doing?
[00:00:28] Speaker A: Yeah, not too bad, not too bad.
Tired, but otherwise, good God, yeah. Yourself, you tired? Are you like me, always tired? Yeah, pretty much just the way it, isn't it?
[00:00:44] Speaker B: Yeah.
[00:00:47] Speaker A: So the film we talked about today is the Quick and the Dead. It is a film that's a western, but I will, I will have to say here, I'm not a big fan of westerns.
There's only a couple I've seen that I've really enjoyed. One being the Good, the Bad and the Ugly. I actually quite like the Ballist trilogy in general, but not a lot of others.
[00:01:12] Speaker B: No, I mean, I've got a few westerns I really like, but it's not a sort of type of film I'd flick on all the time.
Should probably say it's me that chose this film. So I put you through a western.
[00:01:28] Speaker A: Yes. I mean
[00:01:32] Speaker B: I subjected you to a western because it was six weeks ago yesterday. My father in law passed away and he loved westerns. Yeah, it's wants to do this with you in honor of my father in law, Ben, just, you know, in tribute to him. So.
And I think a sort of cool Western that's not old.
[00:01:58] Speaker A: Old.
[00:01:58] Speaker B: It's, I think. Is it 1995?
Yeah, 95 by Sam Ramy, who a lot of people know for Evil Dead, but then a whole lot of other people all know for Spider Man. So it's a western, but it's with Sam Ramy sort of bits of humor and his kind of style.
[00:02:26] Speaker A: Yeah, yeah. Evil Dead is what I know him from.
[00:02:31] Speaker B: Yeah, it's probably what a lot of people know him from.
[00:02:34] Speaker A: Yeah, I wasn't a big fan of his the Spider man films back in the day, so.
But Evil Dead is amazing.
[00:02:44] Speaker B: I love Evil Dead.
He got picked to direct this film because Sharon Stone wanted him as the director and she wanted him as the director after she'd seen army of Darkness, which is Obviously Evil Dead 3.
[00:02:58] Speaker A: Yeah, yeah.
[00:02:59] Speaker B: So direct Evil Dead link for you there.
[00:03:01] Speaker A: That's cool. I didn't know that.
The more you know, huh?
[00:03:06] Speaker B: Yeah.
[00:03:10] Speaker A: Right.
Well, this film, as we said, it's a west and it starts off with some crazy guy trying to find gold in the desert area and he's like, oh, was it 50 yards north of the wagon, or. 50. So thigh Carmen. He's just digging loads and loads of holes with his hands, even though he got shovels.
Yeah.
[00:03:30] Speaker B: It don't make a lot of sense.
[00:03:32] Speaker A: I'm guessing he'd hit the point where he's, like, desperate and just dig in with his hands as quick as possible. You know, lost the plot kind of thing. Maybe that's the only thing I can think of.
And then for some reason, someone's coming on the horse towards them, and he shoots them again. I think he's lost the plot when it comes to his gold that he's trying to find, or money or whatever it is.
Turns out to be Sharon Storm, which is the main character. Somehow she is shot in the brim of the hat, no idea how, falls off her horse, acts as if she's dead, then kicks the guy, I think, and then ties him to the wagon and leaves after Steven.
[00:04:19] Speaker B: Did you realize who the guy was?
[00:04:22] Speaker A: I recognized him when he came back later. When I first saw him. I didn't.
[00:04:28] Speaker B: It's Tobin Bell, the guy that plays John the nutcase in the Saw films.
[00:04:37] Speaker A: Yeah, Yeah. I didn't recognize him until, like, he comes back in the film because he comes back later with the wheel attached to him. He managed to escape the desert, and he's like, I'm going to kill you.
And I did not click on who he was until until then. When I first saw him, I had no idea who he was.
[00:04:59] Speaker B: It sounds funny, but he's just so young for Tobin Bell, isn't he? You're used to seeing him as a proper, proper old man.
[00:05:06] Speaker A: Yeah.
Turns out he was 30 in the saw.
I don't think that's the case, but it's not the point.
Yeah, No, I didn't. I didn't click on until he came back. When. When you first saw him, I was like, oh, I don't know this guy. But that's the thing, though. The cast is actually quite a big cast, isn't it? You've got Gene Hackman, Sharon Storn, Russell Crowe, Leonardo DiCaprio. So you've got quite a few people there.
[00:05:37] Speaker B: Lance Hendrickson.
[00:05:38] Speaker A: Lance Hendrickson. Keith David.
[00:05:41] Speaker B: Keith David. Yeah.
[00:05:45] Speaker A: Painful. David.
[00:05:47] Speaker B: You might have seen this in the credits. Bruce Campbell's listed.
[00:05:52] Speaker A: I didn't notice that. I know.
[00:05:54] Speaker B: He's listed in the credits and he's not in the film.
[00:05:58] Speaker A: What?
[00:05:59] Speaker B: I guess with him in. But it got caught.
[00:06:03] Speaker A: Yeah.
That's weird.
[00:06:08] Speaker B: Well, apparently he was filming the TV show. I don't know if you've ever seen the show, Briscoe County Junior, I've never seen her.
[00:06:15] Speaker A: Never heard of it.
[00:06:15] Speaker B: I think, oh, it's wicked. It's a show where he's a cowboy. He's like a Marshall that goes and takes people down that are, you know, bounties or whatever.
[00:06:26] Speaker A: Yeah.
[00:06:27] Speaker B: And he got a filming break from that and he wandered across and they just, he's like, I'm here to see my friend. In the next minute they pushed him through makeup and made him up as some dirty cowboy hobo.
[00:06:40] Speaker A: That's really cool.
[00:06:42] Speaker B: They got one of the characters to repeatedly kick him in the arse and throw him at something.
And then it pretty much turned out that Sam Ramy said, oh, I'm not even going to bother like processing the print, I was just messing with you sort of thing.
[00:07:02] Speaker A: What a dick.
That's brilliant.
[00:07:05] Speaker B: Actually since Evil Dead, they're like long term friends and they with each other and stuff. So.
[00:07:12] Speaker A: Yeah, yeah, it's fair.
Why not?
[00:07:17] Speaker B: But
[00:07:20] Speaker A: yeah, there's, there's quite a big cast there.
Pretty much everyone dies.
[00:07:26] Speaker B: Yeah.
[00:07:27] Speaker A: One person we didn't mention was the, the murderer who wasn't a murderer from home alone.
You know, I'm all about to know.
[00:07:38] Speaker B: Yeah, the, the old guy.
[00:07:40] Speaker A: Yeah, the old guy who's like, oh, yeah, he killed people. And that's. The bones are what they use to melt the snow. And it's like, no, he's just a nice old man.
Well, he's in there as well. I don't know his name. He's just the old guy from home alone. That's, that's what I know, Mass.
[00:07:55] Speaker B: Yeah.
Yeah.
[00:08:00] Speaker A: But yeah, so it's, it's about a tournament kind of thing, you know, where the person who shoots the other person first and then the other person gives up. Will whoever gives up first then by being shot is the loser and the person who doesn't give up is the winner. And then it becomes. Yeah, we changed the rules. The person who dies loses and the person who doesn't die wins. That's literally what it is.
So like everyone who takes part, apart from spoilers, Sharon Stone and Russell Crowe dies.
[00:08:41] Speaker B: Yeah.
And I think there's some pretty amazing deaths in it.
[00:08:48] Speaker A: There are, there are some fun deaths. Keith Davids was pretty brutal. Lance Hendrickson's was pretty brutal. Gene Hackman's was pretty brutal.
[00:08:59] Speaker B: I think the award goes to that pedo guy though. That gets his blown off.
[00:09:03] Speaker A: Yeah, that is painful. But he deserves it.
[00:09:07] Speaker B: Oh, yeah, it certainly makes you want to see it. Happen to him.
[00:09:11] Speaker A: Yeah, Yeah, I would say. Poor guy. But he deserved it because he's a dickhead.
[00:09:20] Speaker B: This is one of my favorite Leonardo DiCaprio roles. Yeah, I think he's great in it.
[00:09:28] Speaker A: Yeah, I thought.
Yeah, I would agree. He is good in it.
My Mississippi, she was. Because she watched it with me. She's like, oh, you got a thing for dying of me?
And I'm like, yeah.
Because he as well as. Like I said, everyone else in the film takes part in the tournament, apart from two people. Leonardo DiCaprio takes part and he's killed by Gene Hackman, who turns out who is his father.
[00:10:00] Speaker B: I mean, I thought that was proper.
If there's a kill death in this, which I think is upsetting, it's probably his death because he's on the floor bleeding to death. He only entered, really, to get his dad's respect. He's there reaching up for his dad, and even at the last moment, he won't acknowledge him.
And he's still, like, almost claiming he's not his. And just think, yeah, prick. You could have leant down and held his hand for the 20 seconds of the life he got left.
And you can't even bring yourself to do that.
[00:10:39] Speaker A: Yeah, he was a bit of. A. Bit of a dick.
But I think that's portrayed through the entire film that he's a dick.
[00:10:46] Speaker B: Yeah.
[00:10:51] Speaker A: Yeah.
Where was I with the whole guiding us through the story of the film?
It gets to the point where they're all signing up for this challenge thing.
Everyone who signs up. We pretty much mentioned. There are a few other people we did mention, like Scars and Red. Whoever. There is a couple of other people, they all die.
I expected, to be honest, the person to kill the scarred guy. I expected to be Sharon Stone because the amount of he was giving her. And it turns out that it was Russell Crowe's character who did.
[00:11:34] Speaker B: Yeah.
[00:11:35] Speaker A: Which I thought was unexpected, I guess, because I. Like I said, I expected it to be Sharon Stone's character who did it.
Who throughout the entire film is called Lady. But I know it's in the credits. She had a name, which I never noticed. I called Geckoldish. You might have done. I just never noticed. I get called a name other than Lady.
[00:11:56] Speaker B: Russell Crowe calls it a one time.
[00:11:59] Speaker A: Yeah, yeah.
[00:12:01] Speaker B: And it's like the kid's got a name, and I think that only gets said one time.
So she's just lady and he's the kid. And.
[00:12:12] Speaker A: Yeah, that's the thing. I think he introduces himself to anyone. El Caprio, he Introduces himself as, hi, I'm blah, blah, blah, blah. But most people just call me the Kid. I then from there on, they just called him the Kid.
I can't remember what his actual name was.
[00:12:29] Speaker B: No, I can't.
[00:12:35] Speaker A: Yeah, the tournament is. Is basically people.
It's kind of. I can't really go narratively into the whole story of, like, the shooting and stuff because it's literally like a bit of exposition. Then someone shoots someone.
Of exposition. Someone shoots someone.
Because that's the kind of film there is.
But basically the.
There's one point where Gene Hackman and Sharon.
Sharon Stone. I'll get the name out properly now.
Have a conversation in his house, and she, like, pulls a gun out on him under the table, but for some reason doesn't kill him. Even though she had a chance there and she wanted to kill him because he kind of kills her father. But not.
Yeah, for spoilers.
Right.
In the flashbacks, keeps showing, like, what's happening to her father. And it shows a bit at a time. It doesn't show the entire thing. So it shows the father getting dragged out of a house or the sheriff's station by some guys. And then they put a robe around his neck. The next time, you see a bit further where they stringing him up.
And the time after that, you see Gene Hackman on a horse shooting the chair that he. You see him do this to another person earlier in the film, Russell Crowe, where he shoots the chair until the chair gives way and then they get hungry.
Well, they're doing that to Sharon Stone's father.
The next scene shows Sharon Stone as a child running, like, leave Daddy alone kind of thing. And then Gene Hatman picks her up, puts her on a horse, rides around for a bit, laughing and jeering.
And then the next time it shows what actually happens is Gene Hatman gives the gun to child. Sharon Stone says, if I've had three shots at the chair, you can have three shots shooting the rope.
And the father's like, yeah, do this, do this. It's like, you know, it's not your fault. I'll just try.
So Sharon Stone's like, I can't. I can't. Well, the child of Sharon Stone, the child version of Sharon Stone, it's like, I can't do it. But she tries to do it and ends up shooting her father right in the forehead.
And. And it's not until right at the end, when Sharon Stone goes up against Gene Hackman in the final shootout that he realizes who she is because she's given the sheriff Medal or badge by the Graveyard Keeper, the Undertaker saying, you know, I know who you are.
Use this of your father's.
And then she throws her at Gene Hatman, and he's like, oh, so that's what you are kind of thing.
And the. The penultimate fight is Sharon Storn versus Russell Crowe. Sharon Storm gets shot and is presumed dead.
Turns out she was pretending to be dead, which they then made up a little plan, obviously, to fake Sharon Stone's death, blow up a lord of the town.
So it takes out some of Gene Hackman's like, crew posse, whatever you want to call them.
And then when Russell Crowe face off against Gene Hackman, stuff starts blowing up that stops Gene Hatman from shooting at Russell Crowe and vice versa. Russell Crowe is in on this. Russell Crowe walks off, starts shooting the.
The rest of the Gene Hackman's crew.
Sharon Stone walks from behind a lord smoking out all, like, slow, more cool. And then she's like, yeah, let's do this. And he's like, but you're dead. And she's like, well, I'm not. Am I stupid? I'm standing right here. She doesn't say those words, but.
And then obviously she kills Gene Hatman. Gene Hatman gets shot in the guts. And you see. You see his.
Where he was shot from the shadow where there's a hole in the shadow on the floor. I thought that was pretty cool.
[00:17:22] Speaker B: Yeah.
[00:17:23] Speaker A: And he's like. And he's about to shoot Shadowstone again. Then Shannon Stone shoots him, and it goes in his eye, I believe, and he's like, ah. And then he does a massive black back back flip and dies.
And then she gives the sheriff medallion or badge to Russell Crowe and says, law's back or something. And then she rides off.
Yeah, like they do in westerns. They ride off.
[00:17:53] Speaker B: I mean, it's a mix of a stereotypical Western and then loads of cool slow mo shots from eyes to eyes and bullet holes and, like, hero walks.
So it's a.
It is a western, but it's got this kind of, like, almost video game flare over it, if you know what I mean.
[00:18:22] Speaker A: Yeah, I get you.
To be fair, I thought, like, the first, like, 10 minutes, I thought, damn, this is cheesy.
But I kind of got into it. Like, I'm not really into westerns. I thought the film was all right.
Like, I've seen worse, I've seen better.
It's.
It's an interesting one because I. I didn't expect much from it, but, like, there were some parts where I thought, oh, That's. That's really good. And then there are parts I was like, yeah, just move on, move on. Get back to the shooting.
[00:19:04] Speaker B: I mean, it is basically a film of about 10 really cool drawn, you know, quick draw fights with bits of plot in between.
But I do think it does a good job of having so many characters and actually, like, making them their own distinct personality.
Yeah, the kid's great.
[00:19:28] Speaker A: Yeah. He's a guy who wants respect from his father.
[00:19:31] Speaker B: Yeah.
[00:19:32] Speaker A: Then you got Crow's characters. You're saying, who's.
Who doesn't want to fight. He wants to leave that life behind because he became a pastor.
[00:19:41] Speaker B: And it's like, he's not gonna fight. But instinct takes over, and he's. The first gunfight. He's like, I'm not gonna do it. And then bang.
[00:19:48] Speaker A: Yeah.
[00:19:48] Speaker B: Even he looks at his own hand and, like, goes, oh, I've just killed someone.
[00:19:52] Speaker A: Yeah.
He's all about redeeming himself because of what happened in the past with him.
Basically, he worked for Gene Hackman.
He got shot up really bad.
Pastor helped him, and Gene Hatman made him shoot faster. And after that, he kind of left Gene Hatman's group and wanted to lead a normal life from the seams of a. He's now going to lead the life of a sheriff,
[00:20:22] Speaker B: which I suppose that's a sort of.
Kind of romantic end to it anyway, isn't it? He. He was a villain who found God and now going to repay his debt by becoming the hero.
[00:20:36] Speaker A: Yeah.
[00:20:39] Speaker B: So that's a nice little. They've all got pretty much nice little stories. There's a lot of little stories that get wrapped up within the confines of one big story.
[00:20:47] Speaker A: Yeah, well, you've got. You've got Lance Hendrickson, who's in there, and he's like this. Yeah, I killed all these people and stuff. It turns out he was just full of, like. He seemed to be pretty good with a gun and stuff, like where he jumped off the horse and shot the card. But, like, Gene Ham's like, oh, you're in. I don't know what he said. Like, New Mexico. I don't know. Some way.
Yeah. Down in Mexico, you shot a girl's thumb off. And I think that was kind of foreshadowing to him. Getting his thumb shot off by Gene Hackman.
[00:21:17] Speaker B: Yeah.
I mean, that made Hackman look brutal because he shot his thumb off. Then he shot a hole in his other hand.
That guy had had it.
That could have just ended. And he's like, now I'm going to Prove I'm the ultimate. Because even though he's defenseless, I'm going to blow him away anyway.
[00:21:35] Speaker A: Yeah, exactly.
You had Keith David, who was there as a.
Like a gun for. Yeah, gun for hire, basically. So he was there to take out Gene Hackman, the people of the town, and basically whatever they could muster up page for him to do it.
He gets his head shot. Literally a big hole through his head.
Pretty nasty stuff by Gene Hatman, I might add.
I think Gene Hatman's probably the most brutal killer of them all.
Yeah, I think. Who else was in there? And there's John Storm, who's obviously in there for revenge.
Yeah, Gene Hackman, he's just like the bad guy and has been for a long time. And he runs the town, takes lots of money off people, which is why they all wanted it off him. Yeah, I think there's like. Each character has a little bit of background. Each of the main characters. Anyway, some of the smaller characters. I'm going much.
No, because they don't necessarily need to.
[00:22:54] Speaker B: No, they have just enough for you to want to see them die or, you know.
[00:22:58] Speaker A: Exactly.
Yeah.
But, yeah, it's a.
It was all right. It was all right.
Bit cheesy at times and I'm not the biggest fan of Westerns, but I thought it was all right.
I'd give it like a 6 out of 10. This is above average slightly, because there's some good bits in there, but I'd
[00:23:25] Speaker B: go for an 8, but I think it's more. I'm a massive Sam Ramy fan and I'm a massive Western fan, but there's a few Westerns that do make my top list. And it. It be like this. And the Young Guns films.
[00:23:38] Speaker A: Yeah, I like Young Gun. I like the first one a hell of a lot more than the second, though.
[00:23:43] Speaker B: I don't know. I'm quite fond of the second one because I quite like Christian Slater and I find his bickering with Emilio Estefes quite funny, how they're like, whose gang is it?
And, like, all the time he's trying to make out it's his gang and Billy's. No, it's my gang. And then when they're in the deep, Billy's like, it's your gang now. What we gonna do?
[00:24:09] Speaker A: Yeah, no, the second one just. For me personally, it just doesn't.
Doesn't hit the same strides of the first film. First film is really good.
Second one I just thought was okay.
[00:24:25] Speaker B: Apparently there's gonna be a third.
Ah, yeah, there's Gonna be a third Young Guns, apparently.
[00:24:33] Speaker A: Why?
How?
I guess it's not gonna be based around that group of outlaws, then it's gonna be someone else.
[00:24:42] Speaker B: Billy the Kid.
[00:24:43] Speaker A: Yeah.
[00:24:47] Speaker B: It's following the logic of Billy the Kid being that Wild Bill or whatever who was found years and years later. The one that In Young Guns 2's telling the story.
Yeah, but whether that means it's Emilio Estevez and next to nobody else, I don't know. Because Chavez died the Indian, didn't he?
Doc died.
I know Christian Slater's character didn't die. But it says at the end he went off to Mexico, bragged about all his crimes and got hung.
[00:25:21] Speaker A: Yeah.
[00:25:23] Speaker B: So either they're gonna have to seriously rewrite stuff and ignore things that happened in number two, or. I don't know, I don't really get how it will work.
[00:25:37] Speaker A: But maybe they won't do a third one. They'll just reboot Daryl something. Maybe they just call it Young Guns. It doesn't make sense. How can they make a third film?
[00:25:46] Speaker B: I don't know. So apparently it's quite a recent thing that it's been brought up and apparently Emilio Estevez is involved.
But whether it ever gets fully off the Hollywood cutting room floor, who knows?
[00:26:00] Speaker A: That's weird.
Yeah, that's. That's weird.
Some films just don't need sequels.
Just leave them as they are.
You were saying of your top westerns.
[00:26:13] Speaker B: Oh, yeah. Basically the Young Guns films this. And then there's another film, and I do not remember the name for it, but it's another Emilio Estefes cowboy film with some kind of bounty hunter.
And it was like a really low budget, straight to DVD thing and I really enjoyed it, but I cannot remember the name.
[00:26:35] Speaker A: I have no idea.
[00:26:41] Speaker B: Problem is, though, as a genre, a lot of them are quite cliched.
[00:26:45] Speaker A: Yeah, yeah.
[00:26:50] Speaker B: Django. There we go. Django Unchained.
That's another one.
[00:26:56] Speaker A: I haven't seen that. Is that the. Is that my.
Yeah, I haven't seen it.
[00:27:04] Speaker B: Oh, good film.
Because once again, it's not a full cowboy film because it's a cowboy film mixed with all the sort of Quentin Tarantino's weird touches. And.
[00:27:15] Speaker A: Yeah, I might have to check it out at some point in the future.
Maybe Westerns are just not on my. On my priority list, if that makes sense. It just.
It just. I don't know.
I don't know.
[00:27:42] Speaker B: There's something weird for you with this film.
All the handguns in it are actually correct to the time of when the film's Set they are all proper guns that would have been around at that time.
Every, every like gunfighter has got a totally different type of handgun like character designed for them.
And they were all went through a massive process of being aged and stuff to make them look dirty and real. I think the prop master put them in chlorine and things to rust them up and they went to all that trouble.
And then Sharon Stone wears glasses that are quite modern and have a shocking modern company's logo on the side of them.
[00:28:30] Speaker A: Really?
[00:28:31] Speaker B: Yeah.
[00:28:32] Speaker A: Wow.
That is pretty shocking actually.
[00:28:40] Speaker B: But it does make me wonder what happened to all the guns because if they went to that much trouble, I would hope they'd give them to the actor, you know, in a case to take home. Because apparently Gene Hackman loved his guns and he was spending extra time in his own social time like practicing gunsling, flinging the gun around and he wants to be the best on set. And apparently they were having like on set contests of who could draw quicker and that.
[00:29:08] Speaker A: Really?
[00:29:09] Speaker B: Yeah.
[00:29:09] Speaker A: Seems like they had a lot of fun making the movie.
Yeah, it seems like it was a lot of fun around, around the movie then.
Even if they made silly mistakes with the glasses. But yeah, it seems like all involved had a good time then.
[00:29:31] Speaker B: I think it's one of the films that's sort of the halfway point between Sam Rami being that low budget Evil Dead director and then going on to like massive Hollywood stuff. I think this might be one of the first films that a big production like entrusted him with and I think it's fully because Sharon Stone wanted him.
She's a co producer on it or something and she like made loads of demands and was like, I'll walk away if it doesn't happen. She demanded Leonardo DiCaprio and apparently she paid for his wages out of her own money.
[00:30:07] Speaker A: Really.
[00:30:07] Speaker B: She demanded Russell Crabb.
[00:30:10] Speaker A: That's me. That's. That's mad. Mad. Having that much bloody power like.
But why not?
[00:30:17] Speaker B: Well, yeah, you know, if you've got it, use it.
[00:30:20] Speaker A: Exactly.
Yeah.
Not a bad film.
I. I would say watch it. It's definitely a more interesting kind of western. Out of the many I've seen, I've not seen Lords. I've seen a few but most of I find are quite the young guns. I really like our trilogy. I like.
Yeah, I don't think of any others. I really like some. I don't mind like this. I don't mind.
[00:30:52] Speaker B: Yeah, I think it's a good entry point if you want to try westerns.
[00:30:58] Speaker A: Yeah, it feels a Little.
A little different because I. I think a lot of Westerns, for a lot of people be like, just like John Wayne films or something, you know?
[00:31:10] Speaker B: Yeah.
[00:31:10] Speaker A: Old Clint Eastwood films and that kind of thing. But then you've got this kind of. You don't see a lot of Westerns nowadays. You. I think the last one I can think of, it isn't really that much of a Western, was like Cowboys versus Aliens, which was a few years ago.
[00:31:25] Speaker B: I hate that film. I really hate that film.
Three times and fell asleep every single time.
[00:31:33] Speaker A: Yes, it. I watched it.
It's not a good film.
It's really not.
[00:31:40] Speaker B: Nah.
[00:31:42] Speaker A: Yeah.
Like I said, there's aspects of the film that I think are really good, like the deaths and stuff and the shootouts are pretty fun.
But I think. I think everyone should give. Everyone who's listening should give this a try if they haven't seen it. Even though we spoiled some of the things.
But I always say. I always say, you listen to the podcast, watch the film first. You. You know what we're talking about. It's more fun that way to listen to us talk about the film. And you're like, I know exactly what they're on about.
That's what I do.
[00:32:15] Speaker B: There's bound to be an actor in this that will carry you through the film.
There's gonna be somebody that everybody really likes because it is a list of who's who.
[00:32:24] Speaker A: Yeah.
It's got some big names in it.
[00:32:28] Speaker B: Yeah.
[00:32:31] Speaker A: Yeah, I think that is gonna be us, though. We've been going for approximately 30 minutes.
We'll be back hopefully in two weeks.
Thank you, Kurt, for taking part. It's been a pleasure, as always.
[00:32:44] Speaker B: Oh, you're welcome, mate. Take care. See you later.
[00:32:47] Speaker A: Bye, everyone.
[00:32:48] Speaker B: Bye.
More.
[00:32:56] Speaker C: $3,000 in four states, 75 offenses and no convictions.
My name's Fee, but everyone calls me the Kid.
[00:33:08] Speaker A: Congratulations.
[00:33:14] Speaker C: So damn fast, I can wake up at the crack of dawn, rob two banks, a train and a stage coach, the tail feathers off a duck's ass at 300ft and still be back in bed before you wake up next to me.
How you doing?
[00:33:27] Speaker A: Do we have any more fighters?
[00:33:29] Speaker B: Just fine.