Feeders!

[00:00:00] Speaker A: Foreign. [00:00:06] Speaker B: Welcome to the Pugsley Crew reviews podcast where we talk about all manner of films, whether they're good, bad or anything in between. We'll watch them and give your honest opinion. And today we are joined by co9000. [00:00:21] Speaker A: Hi, nice to be here. [00:00:24] Speaker B: Thanks to have you here as always. Dude, how you doing? [00:00:27] Speaker A: I'm not doing bad, how you doing? [00:00:29] Speaker B: Yeah, I'm doing good, not bad at all. You've been up to match, watched any films, played games, enjoyed anything? [00:00:38] Speaker A: Well, just with the month it is, I've been trying to watch as much horror as possible. Yeah, just been recommending different horror films on my tick tock for the spooky season. [00:00:48] Speaker B: Yeah, makes sense. Is the right time of year for it. Did you recommend, what was it we watched? Black Friday and Thanksgiving. [00:01:02] Speaker A: Oh yeah, they were good. [00:01:04] Speaker B: I know they're not technically Halloween films, they Thanksgiving films, but you know, they caught enough. [00:01:12] Speaker A: But that's the thing, isn't it? Films like that, like Thanksgiving, Black Friday, something like Gremlins for example, where they're set in a holiday period. Do you watch them at Halloween or do you watch them at that holiday period or both? [00:01:27] Speaker B: Both. [00:01:29] Speaker A: Yeah. [00:01:31] Speaker B: Both. Definitely both. Speaking of spooky season this month. Well, this, this video, this podcast today is about a film called Theaters. I had never heard of it. It was told someone called Jasm, he's not been on this podcast, he's been on the other podcast of Games. But he said that we should watch this. So I was like, okay. And it's on YouTube. All of it is on YouTube. Oh, I watched it and yeah, you can definitely tell it was made on the cheap. And I don't mean that like oh my God, they could have put more money to it. I think it was just like they had a home video camera and thought let's make a film because that's how it looks. [00:02:16] Speaker A: I can actually tell you the budget for it, John. Guess. [00:02:22] Speaker B: Hannah. [00:02:27] Speaker A: US$500. [00:02:29] Speaker B: Wow, that's that. That explains a lot. I bet that was just the camera and then they just probably. Yeah, the camera. Yeah, let's just get a camera. That's all our money done, nothing else. [00:02:42] Speaker A: And it seems like there's a bunch. [00:02:44] Speaker B: Of friends just messing around making a film. [00:02:46] Speaker A: Yeah, well it was a four day shoot and you know, nothing shot in four days, nothing shot for $500. So you sort of get what you pay for really, don't you? [00:02:58] Speaker B: Yeah, yeah. And you can see it is very, very minimal budget because like even the quality of the video shite. [00:03:12] Speaker A: Yeah, but you'd think it'd help more because you think it sort of lean into the genre and hide more. But it. It doesn't. [00:03:22] Speaker B: No, it really doesn't. It's very Rob. Like the very first note I wrote. Is this a home video movie? Like, someone just made it on. On the home video on it. And that is literally what they must have done for $500. [00:03:43] Speaker A: Apparently it was Blockbuster's most popular independent film rental for a whole year. [00:03:51] Speaker B: That is shocking. That's genuinely surprising. [00:03:57] Speaker A: It came out in 1996, which I seem to think is the same year Independence Day came out. So you could rent Independence Day or feed us. [00:04:10] Speaker B: Independence Day. I would go for it with the two personally. Oh, yeah? [00:04:14] Speaker A: Yeah. [00:04:20] Speaker B: So the film starts, right. And it's basically. Well, I. I'm trying to remember. I only watched it yesterday and I'm like. But I think it starts with the aliens coming to. It starts off with like a. A whole intro about, like, oh, is it life out there? People have said that they come to Earth and taken us. Why? And that kind of crap. And then it shows some guys, like, driving around and at first it's not too bad, but then when it shows them a little bit later is that it has this really jaunty kind of music. And I found it so irritating. [00:05:00] Speaker A: You. [00:05:00] Speaker B: Know what I mean? The music playing when they were like fish, when knowing they're fishing and they were like, taking photos of the devil's crossing. I think it was called something like that. And. And, oh, the music was just, oh, I hated it. [00:05:16] Speaker A: There's a lot of bad choices in this, which I think, mean, it was never going to be fantastic. But there's things that could have made it a lot better. One is the poor music choice. Surely you could have found something more suitable. And it's that intro video. I actually thought the way that was done wasn't bad for considering the type of film. [00:05:36] Speaker B: Yeah. [00:05:37] Speaker A: But the guys reading it really didn't sell. It got a bad voice. I mean, you look at, like, awesome Wells and the War of the Worlds and all that stuff. It shows that a good voice delivering effectively. In this case we'll call a monologue. The right voice really could have started that off. Well, if you'd have done the whole. And we don't know what's in space and could there be life and is it hostile? You could have sold that with a good performance. [00:06:10] Speaker B: Yeah, I would agree with that. Yeah. No, that wasn't a bad intro, but it could have been done better. Yeah, agreed. [00:06:21] Speaker A: And some of the acting you could have found better people. I mean, yeah, you probably used friends, but I'm sure there must be some local community theater group or something because. [00:06:32] Speaker B: Yeah, the acting was pretty horrendous and I found the sound quality on the YouTube video at least to be quite chalky. Shocking. Shocky shocking. The like, sometimes, like, some of the people would be mumbling like hell and you're like, what the hell are they saying? [00:06:49] Speaker A: Basically, I think that comes from the fact that they're obviously filming off a camcorder. [00:06:57] Speaker B: Yeah. [00:06:58] Speaker A: And they don't have any mics because you can tell that different people at different distances away and sound totally different. [00:07:07] Speaker B: Yeah. [00:07:07] Speaker A: And you can obviously get mics that you can hide under your clothing that go to a receiver where your sounds crystal clear. But this is obviously, it's not really edited other than choppy cut. You know, there's been no sound work or, you know, a bit of music strung over the top maybe, but there's been no effort to cut away anything or, you know, take fuzz out or. Yeah, I suppose. What. What did you have back in that day and age? [00:07:43] Speaker B: Yeah, it was 20 years ago. Thirty years ago. Thirty years ago, yeah. [00:07:49] Speaker A: Nowadays, if you've got the raw footage of this film, there's so much you could do to it. [00:07:55] Speaker B: Yeah. [00:07:56] Speaker A: You could play with all the levels of everything. I mean, I'm trying to remember who said it. It's somebody in the horror genre with props and stuff, but they basically said, if you've got a darn good monster, show it, shine light on it, linger on it. If your puppet or CG or whatever's crap, hide it in shadows, show it. You know, one second here, one second there. And the thing is, these aliens are shocking. [00:08:27] Speaker B: They aren't. They aren't the best aliens, though. [00:08:30] Speaker A: They rarely linger on them. [00:08:32] Speaker B: Yeah. And I'm pretty sure they're made of like papier mache or something. [00:08:36] Speaker A: Yeah. And the actors don't really know what they're doing with them because there's an art to it where you watch films where there's some form of puppet, like a gremlin or whatever, and it's strangling somebody. And you can tell if you know this sort of stuff that the actor's clearly fighting with it, but they're moving it, making it look like it. These. It did just look like they were holding a prop and shaking it, going. [00:09:07] Speaker B: It's exactly it. Getting to the very first kill, I thought was funny. It was the park ranger or whatever he was, and like they. They seem to like the alien snack up behind him and stab them all. Looked like a. In the neck with what must have been some sort of stunning probe thing. But it looked like a car antenna. [00:09:29] Speaker A: I thought it looked like a tiny little snooker cue. It was like he's playing snooker. [00:09:33] Speaker B: It did look like he was playing snooker. Yeah. But it looked. It looked like a car antenna. Like an old one that you screw into you. You can screw in and out of a car. [00:09:43] Speaker A: Maybe it was. [00:09:45] Speaker B: I think it was. And the second kill was really disappointing. They just like attacked the fisherman and then he was covered in blood, dye. And then all of a sudden he's not dead and he runs out in front of the two guys. Car gets hit by the car. They take him to a doctor's. He's going, little man, little man. And they're like, what the hell is he on about? And then they take him to the doctors or hospital. Doesn't look like a hospital. The doctor then's like, oh, yeah, he's dead. He was fighting. Certainly dead now and then. That's it. I. I don't. I was really disappointed with that and I. I don't understand how he was half eaten and then. Fine. Unless it was meant to be a different guy. I thought it was the fisherman. [00:10:40] Speaker A: I thought it was. I assumed that the alien was inside him or something. I don't know. [00:10:46] Speaker B: Yeah, yeah. But like, why is there no wounds or anything on him all of a sudden? Why is he perfectly healthy? [00:10:53] Speaker A: It just. It doesn't make sense, does it? [00:10:56] Speaker B: No. [00:10:57] Speaker A: Probably they blooded him up and then finished filming for the day and came back and didn't. [00:11:05] Speaker B: Yeah. [00:11:05] Speaker A: Take it into. Because big films, you've got like a plot. It's. It. Clock. Continuity or whatever. Officer. Yeah, continuity officer. That's it. Who. Because this is something I love watching stuff with my Mrs. She is dead eyed for it. We were watching Walking Dead once and they've got this stew soup on the counter and yeah, she just pauses it and what are you doing? She goes, there was a spoon in that soup and now there's a ladle. And I'm like, you what? And she kept tacking it forwards and backwards and this spoon changed to a ladle, changed to a spoon, changed to a ladle. Then it was in one side of the pot and then the other and it was just like, wow. But they've got money for that. You know, I can understand these guys because, you know, they haven't got a budget for someone to check over that. But no. [00:12:02] Speaker B: I think one of my favorite scenes in this, for amazing acting, was on the phone. The two women talking on the phone. [00:12:10] Speaker A: Oh, yeah. [00:12:12] Speaker B: That is just. [00:12:16] Speaker A: The second woman in particular. Not the one that meets him, the one she calls up. She is awful, ain't she? [00:12:22] Speaker B: Yeah, yeah. Honestly, like, if you haven't seen this film, go and watch it and then you'll come back and listen to this and you'll be like, yeah, we agree with you. Completely. Awful acting. Like, clearly they're not actors, they're just people who are like interested in making a film. But damn. And they must have made a bit of money on it because they only spent $500 making it. And if it was Blockbuster's highest rented film of the year, they must have made something from it. [00:12:48] Speaker A: Well, you'd expect so. I mean that, that's the thing. When films cost multi, multi millions, unless they're a massive stupid success, they've made a loss. But stuff like this, 500 quid. I mean, when I was a kid, the average video rental for a new film was a pad and an old film was 50p. [00:13:09] Speaker B: Yeah. [00:13:10] Speaker A: And if you took this as a pound film for being new and then said to be the most rented film that year, the tape would have to be out every single night and they'd have six tapes of it. You know, do the maths. It's going to have made a lot of money. [00:13:27] Speaker B: Yeah. Blockbuster still went under. [00:13:32] Speaker A: Yeah. Did Blockbusters pay them where they got money per rental or did Blockbusters just go, we'll stop your tape, we'll give you X amount of money? [00:13:44] Speaker B: I reckon that I do. I reckon it'll be that one. [00:13:50] Speaker A: Probable. Yeah. Because obviously they've got to run a business and none of these places that are in businesses are in it, to be fair, are they? It's. What can we get out of it? [00:14:01] Speaker B: Exactly. It's like, hey, let's see how much money we can make everyone else. That's my opinion. But what do I know? Going on to the next kill, Right? It was a woman, the second woman on the phone and she gets attacked and she's in the middle of screaming, I think. But it's like. It's literally that kind of noise. It sounds like a cat going. [00:14:33] Speaker A: It does. It sounds really pathetic, but really like a cat, not a person. And. [00:14:42] Speaker B: And also you can see the puppet on them where it's like attacking them. It's just like on the body and it's moving back and forth slightly as if someone's moving it with a stick. It looks like it's just like rubbing against her. Yeah, but she's gone. It was. Yeah, it wasn't. It wasn't the best. [00:15:06] Speaker A: But. [00:15:07] Speaker B: Jesus Christ. And then the music came back later, the awful, awful music. And they kept cutting back from it to the aliens. And the aliens are going like. Or something, making that noise. And then it have this, like, kind of sinister music. And then it go back to this jaunty music when it showed the two guys again, and it's like, really? I think my favorite kill in this film by the aliens was the doctor. [00:15:45] Speaker A: Yeah. [00:15:47] Speaker B: His head being severed from the body was really shitlooking. But it made me genuinely laugh my head off, because it was stupid. Like, it was really bad, but it was also really, really funny. [00:16:01] Speaker A: It was simultaneously really shit, but yet probably the best effect in the film. [00:16:06] Speaker B: Yeah. [00:16:07] Speaker A: And I'm not sure, given their budget, how they actually even achieved it. [00:16:13] Speaker B: Good point, actually. [00:16:16] Speaker A: I mean, I know a hundred ways that a good studio would do it green screen. But when you think when this was made and the money involved, I have no idea how they did that. [00:16:27] Speaker B: No. [00:16:32] Speaker A: I could. I couldn't do it for that kind of budget with, you know, minimal camera equipment. [00:16:42] Speaker B: No, they must have probably didn't get a proper green screen and stuff. They probably just use, like, a green sheet they found or something. Or blue at the time, whatever they used. One thing I was confused about in this film, there's a point where the first woman you see, she gets attacked in the second woman's house and the aliens jump on her like they do everyone else and kill him, but she just grabbed it off her, threw on the floor and smushed his head. Then another one jumps on her back and she just grabs it, throws it and, like, hacks it up. And I'm like, why didn't anyone else just do that? And you never see her again. So what happens to her? [00:17:23] Speaker A: Well, probably she'd run out of time and had to return to real work. All right, lads, I've been in your film, but, you know, Walmart's calling. I'll see you. [00:17:34] Speaker B: Yeah, probably. But she, like, the first woman, it jumps on her the same as the second woman, or vice versa, whichever you want to call them. Second phone lady gets attacked first and dies. But the first phone lady has the exact same thing happened, but just goes like, you alien. And smushes it. And it's like, well, why didn't the first woman do that? Why didn't the Doctor do that? Why didn't the. Well, the fisherman was sleeping and the other guy was attacked from behind. With a snooker coup. Sl aerial. [00:18:09] Speaker A: A good film would have explained it somehow. She'd have had something on her. The aliens were weak too, or. I don't know. But clearly they just didn't want her to die or they wanted to show the puppets get smashed up or something across their mind on the list of things they wanted to achieve through this film. [00:18:33] Speaker B: Yeah. I also don't understand because at the beginning of the film it shows them dropping off two aliens and she kills two aliens and yet there's still many, many more aliens. And I didn't see him come back and drop any more. If you see this ship every so often, but it doesn't like, explicitly, explicitly show them, like, teleporting down more aliens. [00:18:59] Speaker A: Like I said, they needed somebody to go through this and go, lads, you haven't done this. This doesn't make sense. Add this. Are you aware there's this meant, you know? [00:19:12] Speaker B: Yeah, but another funny part of the film was when they, like, they say it a couple of times. I was getting dark, but the first time they say, oh, no, it's getting dark. We need. We soon. We need to get out. And then it shows the sky and it's like beautiful blue daytime. And you're like, oh, yeah, it's getting dark. [00:19:37] Speaker A: Yeah, it really isn't. Again, that's something you could probably sort out quite easy in it. You could darken the tone of the film or. [00:19:49] Speaker B: Yeah, you think you. They would like. The same time they say, is G and dark. It's not very dark. And then all of a sudden it's night time and they go into the house. That's good, but. And then obviously they get attacked by an alien in the house and they hack it up easy enough. Somehow. Somehow they. They can hack up the alien fine, enough with no problems this time. And then Bennett, one of the guys with the mustache, runs outside going and kills an alien, goes, is that the best you could do? And then the alien spaceship somehow yours and goes, huh, you think so? Beams him up and they start torturing him and stuff. It's like, what the. How did that work? [00:20:40] Speaker A: Not a clue. I mean, that only happened because they clearly had the idea that they wanted to do that, like, alien imposter, evil twin angle. [00:20:49] Speaker B: Yeah. [00:20:50] Speaker A: Which is about as cliched as you get. Probably even by 1996 it was as cliched as you get. [00:20:56] Speaker B: Yeah, probably. [00:20:58] Speaker A: I think clearly he probably wanted to play sort of him and a fake version of him. So we're gonna do it, probably. [00:21:12] Speaker B: But the Bennett fight was actually quite Funny, though, because I don't know. Because I don't know if how they managed to get the two people to look alike unless they twins or something, because they did look alike from then again, the film is hard to see, so maybe they didn't look that alike. And, you know, but that was funny. The fight was funny. [00:21:33] Speaker A: Well, I know that the writer is Mark Palona. The director's John Palona, and Mark Palona, one of the stars is John Palona. So maybe Mark and John look a lot alike and they, you know, or at least looked alike enough that you could, like, swap them and show their back and. [00:21:57] Speaker B: Yeah, but I did enjoy that fight. It was funny. [00:22:01] Speaker A: Yeah. [00:22:04] Speaker B: But obviously then coming near the end, because it's only hour and nine minutes long, it's not a long film. And obviously Bennett gets killed. And the guy's like, yes, we killed the alien. And he tells him his little. He's like, oh, look, remember when you were in third grade? I don't know what grade it was, and you broke teeth and blah, blah, blah, blah, blah. It's like, oh, yeah, only you would know that. And then all the aliens come. He's like, there's too many of them. And he's like, well, why don't we join them? With a weird voice. And I. Again, what do you mean, why don't you join them? You're bloody eating them. You're not joining each other. It's not like, oh, we. We'll make a good team. It's like, no, you're going to get eaten. [00:22:51] Speaker A: No, it was probably that Bennett guy was the best actor in it, to be honest. [00:22:57] Speaker B: Yeah. [00:22:58] Speaker A: I mean, it's not saying much. It's not setting your bar too high. But. [00:23:04] Speaker B: No, I agree with you. But obviously the ending is literally that guy, the one guy survives and he runs off. And as he's running off looking for help, the aliens are coming down to Earth and they're blowing everything up. And it shows, like, stock footage, I think, of buildings being taken down by demolition. But obviously in this, they make out it's like the aliens blowing them up and then more ships, I think, come to Earth and then it ends and that's it. [00:23:43] Speaker A: I mean, I will say that they did quite well with that, like using that demolition footage and everything. That was good. [00:23:51] Speaker B: Yeah. [00:23:52] Speaker A: This film and this budget that really did come across pretty decent. [00:23:56] Speaker B: Yeah. Like, at the end of the day, this film was crap, in my opinion. It was crap. But it made me laugh a fair few times. Whether intentional or not, it's like I said when I was talking to Jasma Bower yesterday, it's not the worst film I've watched for this podcast. It is not. It isn't a good film, but it's not the worst we've watched. I think that still. That crown still goes to Cocaine Shark, to be honest. [00:24:20] Speaker A: Oh, definitely. [00:24:22] Speaker B: But this made me laugh. I don't know how intentionally was to make me laugh, but it made me laugh. [00:24:29] Speaker A: The thing is, you do have to sort of keep into mind what these films cost. You can't take something like feeders on 500 pad and let's go compare it to Terminator 2. [00:24:42] Speaker B: No, you've. [00:24:43] Speaker A: You've kind of got to compare indie minimal budget films to indie minimal budget films. Yeah, they could have done better, but they could have done a lot worse. [00:24:54] Speaker B: Yeah. Then again, Cocaine Sharp probably had a much higher budget than this as well. [00:24:59] Speaker A: Yeah, I'd imagine it did. [00:25:01] Speaker B: And that was shit. Yeah, this was. This was not as shit as that. And like I said, it did make me laugh a few times. Especially like the doctor's head getting eaten. That made me laugh. It did confuse me a couple of times when you keep finding these corpses because like I said, it shows two aliens to begin with, and then all of a sudden there's more aliens that you don't know where they've come from. And on top of that, there's like random dead bodies now where other aliens must have got involved. So it's like, where did they come from? [00:25:40] Speaker A: You know, I think they. They could have done a lot to improve it. I do think the. The props were bad. If you done more camera work with darkness and hid the props a bit, and I think I'd have gone down the angle of the aliens possessing people more. Show the prop for a very limited time in the dark, show it, jump on someone and then have that person possessed and killing people. [00:26:08] Speaker B: Kind of like Invasion of the Body Snatchers kind of thing, is it? [00:26:12] Speaker A: Yeah, more going down that route because you can hide the prop more but keep a very similar story, you know, you've got to work with than the confines of what you've got. [00:26:27] Speaker B: Yeah. I think showing the aliens as much as they did was a detriment to Eli because it just. They looked crap. [00:26:40] Speaker A: But then I suppose the thing that's probably brought this film to us is the fact that it was shown on Rift Tracks, which is used to be called Mystery Science Theater 3000, I think, which is like people watching them and taking the P out of them. [00:26:55] Speaker B: Yeah, I've seen. I've seen Mystery Science through Theater 3000. Yeah. I assumed R was something different though. I. I didn't know. I had no idea. [00:27:07] Speaker A: I think they're connected. I think one is a newer version of the other. I could be wrong. [00:27:13] Speaker B: All right, fair enough. [00:27:16] Speaker A: But you know, there's the sort of. Do people aim to end up being on a Mystery Science Theater or something like that? Do you think maybe they thought if we're shitty and low budget enough, we've got a better chance of being immortal than being average? [00:27:35] Speaker B: Yeah, that is actually a possibility. I think it was just a couple of people thought why not just have some fun making a film? It'd probably be shit, but we can, we can enjoy ourselves. And I think that's what it was about really. Probably. Maybe. Or maybe they thought we didn't. We'll be the next best thing. Move over, Steven Spielberg. Here comes me. [00:27:59] Speaker A: I mean there's people that have done it as far back as you can go in films. I mean, have you ever watched any of Ed Wood stuff? [00:28:08] Speaker B: Don't know. [00:28:09] Speaker A: Some of his stuff was ropey as hell. I think the most famous was Plan 9 from Outer Space. Right. And it was advertised as having Bela Lugosi in it. [00:28:21] Speaker B: I think I've seen it. [00:28:23] Speaker A: That's like weird people walking around in the railings and stuff. And some of it's filmed in a graveyard and. [00:28:29] Speaker B: Yeah, I think I've watched it. I think I did. I think I have seen that. Yeah. [00:28:34] Speaker A: That's like the grandfather to this sort of stuff. Really. [00:28:37] Speaker B: Yeah. [00:28:39] Speaker A: And then if you've got Roger Corman who made loads and loads of cheap budget horror films like made on 2 pence, but they all made a profit because they all cost nothing. [00:28:53] Speaker B: Yeah. And that's what you want when you're in a business. Profit. [00:28:58] Speaker A: Yeah. I mean, would you rather make 300 feeder films and walk out with money or would you rather make one gigantic Titanic type film that flops at the box office and loses your millions? [00:29:12] Speaker B: Exactly, exactly. I get you. Obviously Titanic done really well. But. [00:29:19] Speaker A: I couldn't think off the top of my head of anything that had loads of money spent on it but was a massive flop. I mean, I could think of stuff that didn't do so well, like that Disney John Carter film that had a lot of money, but I don't think it was, you know, it didn't reach what they wanted. But I don't think it was an absolute money burning disaster either. Yeah, I'm sure that, I'm sure, you know, with research there will be Some film that's had Battlefield Earth. There's one that I think must have lost more money than anything. The John Travolta sci fi film. [00:29:54] Speaker B: Oh yeah, I've seen that. Oof. Like not a good film. No. Is he worse than Cocaine Shark, though? That's the bar we've set those standards to. Is it as bad as Cocaine Shark? [00:30:11] Speaker A: Probably not, but I wouldn't, I wouldn't want to watch either of them again, really. So. [00:30:17] Speaker B: No. Guess what's next week, guys? It's not that. I mean. Or am I? No. Anything else you'd like to add about this film before we wrap up? [00:30:35] Speaker A: Not, not that I could think of. But I suppose the only thing is I would say I'd recommend anybody view it who's thinking of making a film. If you want to make a film, then I think you want to watch a lot of crap, low budget films to see what they do right, to see what they do wrong, to see where you can sort of go, yeah. And I wouldn't watch this an example of the worst either. I'd watch this as an example of missed potential. If you want to see the worst Cocaine Shark. [00:31:10] Speaker B: Yep. That was also done in like three or four days earlier. [00:31:14] Speaker A: Yeah. If you can't make a better film than Cocaine Shark, just hang your camera up and don't bother. [00:31:24] Speaker B: I agree. Jesus Christ. That was an awful film. [00:31:31] Speaker A: Yeah. [00:31:34] Speaker B: Mentioned a lot by us because of how bad it is. And I think that is the thing. It's like that's the worst film we've watched. If it's worse than that, then you all luck, really. I couldn't say what the best film we watched is because we've watched some really good films. RoboCop and various other films as well. So. [00:31:52] Speaker A: Yeah, we've watched a lot of good stuff. There's. But there's nothing that's come as Dan as low as Cocaine Shark. It's certainly in a field of its own. [00:32:00] Speaker B: It is, it is. I would, I would, I kind of would recommend this film in general just because, you know, it's kind of fun in a really stupid way. But also at the same time, I, I don't know, I think, I think if you've got a speed hour and you will fancy watching something that's easy data, easy to digest, stick on feeders. It's on YouTube. Go watch it. [00:32:27] Speaker A: Yeah. I mean you can do far, far worse. And I think by the time you've knocked off the credits and stuff, it probably does hit about an hour. [00:32:38] Speaker B: There you go. That is gonna be us for today. Then we'll be back in a fortnight. And. [00:32:45] Speaker A: Yeah. [00:32:45] Speaker B: Thank you for taking part, guys. Been a pleasure. [00:32:48] Speaker A: Thank you for having us. Take care. [00:32:50] Speaker B: And you. Bye. Bye, everyone. [00:32:52] Speaker A: Bye. [00:33:07] Speaker B: What the hell was that? If that doesn't be at all a meteor. God, I hope it doesn't burn the fucking forest down.