DEADPOOL!

[00:00:05] Speaker A: Hello and welcome to another episode of Pugsley Crew reviews, where we watch all manner of films, be they good, bad, or, you know, pure shite. We'll watch them because we like to make ourselves suffer. Today we have returning guest, Q 9000. How are you doing, dude? [00:00:22] Speaker B: Hi, dude. I'm alright. How you doing? [00:00:24] Speaker A: Yeah, I'm not doing bad. Not doing bad. Been up too much? [00:00:28] Speaker B: Nah, not really. Getting extremely drunk to see the end of the euro. [00:00:33] Speaker A: Ah, right. Yeah, yeah. You did say you were going to, like a euro party thing. [00:00:38] Speaker B: Yeah. [00:00:39] Speaker A: Unfortunately, England lost. Well, unfortunately for people in England. [00:00:44] Speaker B: Yeah, I'm sure the Spanish are very happy with it. [00:00:46] Speaker A: Yeah, yeah. So the film we are going to be discussing today is Deadpool from 2016. The film with, you know, Ryan Reynolds, not the film dead. I'm sure there's a film called Deadpool with Clint Eastwood in it. [00:01:05] Speaker B: I think it might be the Deadpool. [00:01:07] Speaker A: The Deadpool, right. That's the difference. [00:01:09] Speaker B: I think I might be wrong there. [00:01:10] Speaker A: No, I think you were probably right. The Deadpool would make more sense. Well, there you go. That. That explains that. Yeah. So Deadpool is a film you decided to choose. Could you tell us briefly as to why? [00:01:30] Speaker B: I thought the timing was spot on. Because we've got Wolverine and Deadpool, or DeadpOol and Wolverine, whichever way around they've named it. I can't remember coming out in the next few weeks. So why not hit up the original? [00:01:43] Speaker A: Makes sense. And it's gonna be good because, like, there's so many references in both Deadpool and Deadpool, two to Wolverine. Like, oh, yeah, even, even, like the actor. Like, he's wearing a mask of him in Hugh Jackman in fucking on his face at points. And there's like a magazine with him on at some Points and Stuff like that. [00:02:12] Speaker B: And he says that thing about whose balls did he have to feel up to get a HolLywOod role or something. It rhymes with Wolverine. [00:02:19] Speaker A: Yeah. Just straight away is clearly he's got a thing for Wolverine. Thing is, Though, is I'm PRetty SURe There's QuiTe a bit of DeadpOol and Wolverine stuff in the comics and that as well, isn't there? They have like, similar powers and stuff. [00:02:39] Speaker B: Well, they've both got the healing factor. And I think Wolverine and Spider man are two of the people that Deadpool sort of bounces around the most. [00:02:47] Speaker A: Yeah, makes sense. With Wolverine, not so much Spider man. Then again, they both go, like, funny little banter when they fight dinners, I suppose, over the top. [00:03:01] Speaker B: They're both wisecrackers, aren't they? It's just clearly, he's a bit like a mirror Spider man, because Spider Man's, you know, with great power comes great responsibility, and Deadpool's like, I've got superpowers. Fuck it. [00:03:15] Speaker A: But he's not quite. He's not quite a villain. Like, he's not. He's not a villain in the sense that. Well, I don't know if he have been in the comics at points, but he's not right now. [00:03:25] Speaker B: When he first came out, which was in a comic called the New Mutants, he was a supervillain, and then he sort of became an antihero, because the way he started is he was a bit of a ripoff of DC's Deathstroke. Who's in the comics? [00:03:41] Speaker A: Wade Wilson and Slade Wilson, something like that. [00:03:46] Speaker B: But I think, you know, compared to Deathstroke now, a lot of people wouldn't know who Deathstroke is in comparison to how many would know who Deadpool is. [00:03:54] Speaker A: Yeah, I know Deathstroke is because of stuff, including comics, games, you know, tv shows. Well, like teen titans, for example. In the 20, early two thousands, I think it was. They didn't call him Deathstroke and that he was just slayed. [00:04:15] Speaker B: Yeah. [00:04:16] Speaker A: So there you go. But, um. Yeah, so Deadpool. Deadpool is about a guy who, uh, he's like a hitman, but he seems to have kind of like a moral compass of some kind. It appears to be that way. Anyway, he ends up with a woman. They have sex a lot. Then he gets cancer. He gets offered the treatment to help him get rid of his cancer by some shady guy who he calls Agent Smith. I'm assuming that's a reference to the Matrix. [00:05:00] Speaker B: Yeah, I think so. [00:05:02] Speaker A: And, well, from there, he gets his powers, and all hell breaks loose. [00:05:10] Speaker B: Oh, the best thing with that Agent Smith thing, and it is probably part of the whole Deadpool break in the fourth wall, is when he says to him that he looks like the child catcher from Chitty Chitty Bang bang or whatever. And then he's. When you leave him, be careful which door you go out of, because you're not allowed near a school. And there's a school within 40 meters or something like that. [00:05:30] Speaker A: Yeah. [00:05:31] Speaker B: Oh, it's. But I mean, this film from the opening credits, you can just tell where it's going, where it's all coming and wrote by a douchebag and all that. You're just like, you know, it's gonna have sort of piss taking all the way through it. [00:05:48] Speaker A: Yeah, right. And I do like that it, like, when it came out. I think a lot of the big things was, is Deadpool going to be breaking the fourth wall like it does in the comics? Is Deadpool gonna be enough rated to do to like, be violent like Deadpool, AiDS and stuff like that. And obviously it turned up. Yeah, yeah, it is. And it did have the fourth wall breaking and the immaturity and stuff like that. [00:06:20] Speaker B: I know there was nearly riots because on April fool's day they put a thing up saying it was going to be a PG. [00:06:27] Speaker A: And that was an April fool's trip. People were fucking well pissed. [00:06:32] Speaker B: Oh, yeah, PG. [00:06:36] Speaker A: What the fuck? It'd be like turtles back in the day and they, back in the eighties where they are the fuck, the clan are all robots. [00:06:44] Speaker B: Oh, yeah. [00:06:45] Speaker A: Slinker around murdering people. [00:06:48] Speaker B: The worst one I can think of with the turtles is, I don't if you remember, but when the teenage Mutant Ninja Turtles film came out over here. [00:06:55] Speaker A: Yeah. [00:06:57] Speaker B: They British bought a film classification. There was a certain guy in charge whose name I forget, and he got a real bad thing against nunchucks. He didn't want him to be seen in films. He didn't want them mentioned. So obviously Michelangelo's weapons are nunchucks. [00:07:12] Speaker A: Yeah. [00:07:13] Speaker B: Watch the british cut of that film and you'd never see his nunchucks. And in fact, there's a scene where he swirls sausages around as if they're nunchucks. And the guy cut that out of it. [00:07:24] Speaker A: What? [00:07:24] Speaker B: Because using nunchucks while using sausages in a nunchuck style was seen as too violent. Yet the other turtle can carry katana swords that have cut you in half. [00:07:34] Speaker A: That's a daft. That's really stupid. I don't get that. That makes no sense to me. Like, why? Why would you ban nunchucks and Norris sword? [00:07:48] Speaker B: It's just, just a crazy old guy in charge of the B, is it? Bbfc. He's got a real thing. A real thing against nunchucks. He had him cut out of the Bruce Lee films because you can punch a million people and break their necks, but don't, don't nunchuck them. [00:08:04] Speaker A: That does, that just doesn't make sense to me. Then again, you've got things like Teenage Mutant hero turtles in Europe, not teenage Mutant Ninja Turtles. [00:08:14] Speaker B: Yeah. Because it was deemed too violent to call something ninja on it. Yeah. [00:08:19] Speaker A: Does that work? [00:08:22] Speaker B: Nice, straight. It's strange in it. [00:08:25] Speaker A: It is peculiar. It is very peculiar. So then with Deadpool, I haven't taken any notes. I did tell her and I didn't take any notes for Deadpool, because I sat down, wrote the title down on my paper when I was gonna start taking notes, and then I just watched the film and didn't take any notes at all. Did you take some notes? [00:08:49] Speaker B: Not really, no. It's a hard film to take notes on because I didn't want to stop watching it. [00:08:57] Speaker A: Yeah, I think that's the thing. It is like you just get into it. It's like that with some films, even some of the bad films, I didn't write many notes because I'm just sitting there like, what the fuck? And it's like hard for me personally, it's hard to take notes when you're writing a film because it's like, oh, I like this bit. I like this bit. This bit was shit. But there's like no real in depth writing there, if that makes sense. It's like that person's crap. Or, oh, look, that bit there in the film is funny. Hahaha. You know what? That's my kind of naughts fucking shit. [00:09:31] Speaker B: The film's so full of references and in jokes as well, that if you were to like, note every one of them. Daniel. A podcast talking about it would be longer than the film. [00:09:41] Speaker A: Yeah. [00:09:42] Speaker B: Explaining it at all. And some of them are really obscure. There's one, and it's about 45 minutes into the film, you know, where Deadpool saws his own hand off. [00:09:50] Speaker A: Yeah. [00:09:50] Speaker B: And the blood colossus face, he says something on the lines of, are you there, God? It's me, Margaret. And that's to do. It's to do with a book about a girl coming of age and going into puberty. And it's how many people would actually have got that reference? [00:10:08] Speaker A: I did not. I honestly, I didn't. [00:10:11] Speaker B: They just throw out like ten jokey references, bang, bang, bang, in the hope that you'll sort of laugh at one or two of them. [00:10:19] Speaker A: Yeah. [00:10:21] Speaker B: And it's just a relentless pace, really. And I think that's why the film feels so fast and quick. Yeah, because so much happens. [00:10:33] Speaker A: It is a really fun film. Like, obviously not everyone's gonna love it because some people are shit. But I really enjoyed my time with it. I thought it was really good. [00:10:44] Speaker B: I loved it. It has something in it that's really eighties. The montage where the Deadpool song's playing and Captain Deadpool, and he shows you him tracking everybody down and yeah, that just feels so eighties. [00:10:59] Speaker A: He goes, Captain Deadpool. And he goes, no, just Deadpool. When this song is singing, it's like funny because it does that when they told about his name and then in the song itself, it actually does that same thing. [00:11:14] Speaker B: Yeah. [00:11:15] Speaker A: References something that happened few minutes ago. Brilliant. [00:11:20] Speaker B: I love in that montage where there's the girls trying to kill him and then he hits one, and then he's, like, going to shoot him, and he's like, is it more or less sexist to shoot you? I just don't know anymore. [00:11:32] Speaker A: Yeah, that's true. [00:11:34] Speaker B: And then when he's chasing the guy with the Zamboni thing, the ice machine, I want to kill you. When I catch up with you, the guy's crawling along the ice. You think he's that close to him, but he's miles away. [00:11:46] Speaker A: Yeah, I think he says, I'm going to kill you when I catch you in about 30 minutes. Yeah. Because it does show from the angle where he's, like, right behind him, and it's like, oh, he's gonna run him over very soon. Then it shows him from, like, a wide shot, and it's like, okay. He's like miles away. Yeah, that was brilliant. I also liked it when he breaks the fourth wall. At one point, he, like, breaks the fourth wall in a flashback kind of way and then breaks the fourth wall again in the flashback. And actually, oh, it's a break in the fourth wall in a brick and break in the fourth wall and something like that, he says. So it's like, it's great that they kind of took their attention to detail with the way Deadpool is because obviously he does that in the comics because he somehow knows he's in a comic, weirdly. [00:12:40] Speaker B: And I like the fact that they obviously knew things, like they've got budget limitations and they work with them and made jokes out of them. Like, there's the bit where he says, why is it that whenever I come to this mansion, I only see two of ux men? It's like the studio couldn't afford more. [00:12:55] Speaker A: Yeah, he also mentions, it's like, it's like you were coming back to the Colossus, like you're coming back to the mansion or something like that. And he's like, oh, are we going to see, and I'm not sure if Deadpool says, are we going to see Professor Xavier? Or glosses does, and then he's like, oh, is it Patrick Stewart or is it James McAvoy? Yeah, yeah, James McAvoy. And he's like, you know, it's really confusing, all these timelines and stuff. Yeah, that's great. I do like that because everyone else is like, everyone else is, like, normal in the film, as if, like, it's all real, if that makes sense. [00:13:43] Speaker B: Yeah. [00:13:44] Speaker A: And then he's like, yeah, what a film. Mentioning the actors names and so on and so forth. [00:13:51] Speaker B: It reminds me a bit of the reverse of, like, a Muppets Christmas Carol. Because in a Muppets Christmas Carol, the Muppets are all stupid and going about the business being idiots. And then Michael Caine plays it completely straight, and that's what makes it work. Well, this is like the reverse, because Ryan Reynolds is being an idiot and everybody else is pretty much playing. [00:14:11] Speaker A: It's a good way of looking at it. Also, one of the things I think he says after he's become Deadpool and he's all, like, manky looking is he says something along the lines of, you know, he's talking to the woman. I forgot her name. The blind woman. Blind Al, is it? [00:14:32] Speaker B: Yeah. [00:14:33] Speaker A: She says something about booty, you know, it doesn't matter on the outside. And she says that you only say. He says to her, you're only saying that she can't see me. You know, it does matter what people look like. Do you think Ryan Reynolds gets, uh, jobs on his great performance of acting or something like that? No, it's good looks, that kind of thing. Yeah. Basically calling himself a shit actor. Yeah. [00:15:04] Speaker B: I mean, that's the thing. He's not afraid to take the pee at himself, is it? And that makes him sort of more charming. [00:15:09] Speaker A: Yeah, yeah, definitely. [00:15:13] Speaker B: It's one of them films where, like, when Stallone did Judge Dredd film, they got rid of the judge dread helmet as quick as possible because Stallone's face had to be there all the time. Yeah, most of this, he's got either the Deadpool mask on or he's scarified up to, you know, high heaven. [00:15:32] Speaker A: Yeah, it's like the first, say, 20 minutes, maybe it's Ryan Reynolds as normal, and after that, you don't see him again as, like, normal. [00:15:45] Speaker B: I do think it comes across really strong in the film that the dude does really, really care about the character, and he's willing to go to the lengths to portray it correctly, even if that, like, minimizes his own screen time or. Yeah, sort of image. [00:16:01] Speaker A: But I was, uh. I was laughing at the film, though, because I, like, forgot certain bits of it, because I did watch it, like, years ago, and I forgot about him being shot right in the asshole. [00:16:14] Speaker B: Oh, right, yeah. [00:16:17] Speaker A: Right up the main street. Yeah. Fucking brilliant. I did laugh at that quite a lot, actually. I don't know what the missus thought of the film, but I made her watch her as well, because I'm not gonna watch that. [00:16:30] Speaker B: I don't think you minded Deadpool, did you? Nah, she enjoyed it, she says. So. [00:16:37] Speaker A: Yeah. I don't know about mine. She's out the kitchen at the minute, so I can't ask, but it's a really fun film, and I was surprised about the, like, side characters. Like, I didn't. I wouldn't have expected Colossus to be in there with Deadpool for some reason. [00:16:58] Speaker B: No, he's not a character you typically in your head link with him, is he? [00:17:02] Speaker A: No, not in my head, no. And I can't remember the other character named Mega Warhead. [00:17:09] Speaker B: Something wrong, sonic teenage warhead? [00:17:12] Speaker A: Yeah. Well, she seemed pretty powerful. [00:17:16] Speaker B: Yeah. That's one thing people complain about, which doesn't bother me. But her powers in the comic are completely different. Ah, but they wanted the cool name that the character had, but they wanted to, you know, have the powers appropriate to the film sort of thing. [00:17:33] Speaker A: Ah, well, they should have decided to change the name to suit the right mutant. I don't know what that would have been, because. I don't know, I haven't read comic for a long time. [00:17:46] Speaker B: I'd say the powers she shows are closer to somebody like Cannonball, but obviously they were going for a young protege type person. [00:17:58] Speaker A: Yeah. So what did you think of this film, then? [00:18:05] Speaker B: Oh, absolutely loved every single minute of it. [00:18:08] Speaker A: Yeah, same here. I thought it was brilliant. [00:18:11] Speaker B: There's nothing I can really say wrong about it. I think the music's great. I love the song angel of the morning, which it opens with. The Deadpool raps. Brilliant. I'm a massive wham fan. So when he's on about boomboxing, wham. Yeah. [00:18:29] Speaker A: Yes, it is great. There's like, with the songs and stuff. I'm not a massive wham fan, but it is funny. And when it's like she shows her the album and she's like, wham. And he's like, no, it's wham. They earned this exclamation mark. [00:18:48] Speaker B: I mean, the film is a nerd's dream, though, isn't it? The fact it mentions things like Voltron and stuff. [00:18:53] Speaker A: Yeah, yeah. One of the lions that come together and he manages to get one of them. One of the rings, I think, isn't it? [00:19:02] Speaker B: Yeah. We had a great adventure here. We were like three mini lions that came together to form a giant lionhouse. [00:19:12] Speaker A: Did you enjoy Deadpool, love? Take that as a no, she didn't. I don't know why, because it's like a brilliant. Lots of fun. [00:19:24] Speaker B: I love it in the film when he's like, you can tell your missus it's a love story or something. [00:19:28] Speaker A: Yeah. And then later, yeah, he's like, oh, did I say it was a love story? Well, it's a horror story. I do like that. Yeah. It's a really, really fun film. Like, I don't really know what else I can say about the film other than that I think it's really good. It looks good, the acting's good, deaths are good. [00:19:56] Speaker B: I think, you know, it's one of the best superhero movies we've had. Probably because it sticks to the source material. Well, yeah. And it doesn't take itself too seriously. And it's different enough because we went through this cookie cutter thing where it was like lead hero, big moral guy, defeat villain. Boom. And the antihero bit helps this. [00:20:19] Speaker A: Yeah, I think. I don't know if it's a very popular film. I don't think it really is. But the original Punisher film, I say original with what's his name? [00:20:33] Speaker B: Are we going Dolph Lundgren original or. [00:20:35] Speaker A: No, no, no, the newer one. The first of the newer ones. I can't remember the guy's name. Jane something. Something. Jane. Jane something. [00:20:44] Speaker B: Yeah, I know the film you mean. I can't think of his name. [00:20:47] Speaker A: I enjoyed that John Travolta in there as well. Then he's the bad guy. But I enjoyed that film. And that's the same kind of thing. You know, he doesn't give a fuck and just wants revenge, obviously. I don't think there's no superpowers in it, but it's still a good film in my opinion. But this is like fucking way up there. Much better. One of the best films we've watched for this podcast by far. Definitely not that we've watched every film have been bad. You've got like, the worst film we've watched is probably cocaine shark. The film at the top is like Deadpool and watership down and like, you got rent a friend that are lower and a. Lower than a. So you've got like a good mixed balance of good films and bad films. No, like I said, we watch anything, you know, suggestions are always welcome as well. We just like watching stuff. Except for Cookie and Shark. We did. Yeah, that was. [00:21:46] Speaker B: I didn't like that cloud Atlas either. That felt like a chore. [00:21:50] Speaker A: Yeah, I think that's the problem. I think that would be better set diff, like if they set it up differently. Like the way Jeff was talking about the way the books were, that sounded more interesting. The problem is, is this sounds like the film realistically needed to be more than one film. Like make it a bit shorter so it's 2 hours, and like, make another film that's another 2 hours because it was like 3 hours long and it just fucking dragged. [00:22:22] Speaker B: Oh yeah. [00:22:24] Speaker A: Something needed to be done. [00:22:26] Speaker B: I couldn't imagine that as cinema. [00:22:28] Speaker A: No, that would have been, yeah, I would, I would have just had a nap. I would have. I'm not joking either, but yeah, this, this film was really good. My takeaway from it is, uh, it's a very good film. It's surprisingly Ryan Reynolds, because before this, I always knew him as a, like, I know he's been in some stuff more actually like Wolverine origin. Yeah, Wolverine origins or whatever the fuck it was called, which the Deadpool in there was fucking awful. But like, mainly I knew him as like a actor for rom coms. [00:23:13] Speaker B: Have you ever seen Van Wilder, partly liaison? [00:23:17] Speaker A: I don't know. I might have. [00:23:18] Speaker B: Oh, you've got to watch that. There's a particular scene involving a bulldog and donuts. That's all I'm going to say. People can look it up. It's as gross as you could imagine. [00:23:30] Speaker A: No, don't want to watch it. But yeah, that's what I was used to in being in. But obviously, like he still has his, still does like the comedy stuff and, but like he seems to be, he seems to have more, more range then I thought he had, if that makes sense. He like does. He's more diverse than how I remembered him being in the sense of he does more types of films than just what I remember him being as a rom.com kind of guy. [00:24:07] Speaker B: I think Deadpool's like the fourth comic book film he's done because he was in Blade Trinity as Hannity, which I think he was alright in that. I mean, it was the worst of the Blade films, but I don't think it was his fault. I think Wesley Snipes was coked out his face by the third one, apparently. I'm sure it was the third one. He wouldn't come out his trailer or answer any questions unless you referred to him as Blade. [00:24:32] Speaker A: Yeah, yeah. [00:24:35] Speaker B: What do you think about it? Would you like a cut? He wouldn't answer if you went, oh, hey, Blade. [00:24:38] Speaker A: He'd answer his daft. And he also, I believe that's the one where he refused to open his eyes so that a CGI eyes opening on him. [00:24:47] Speaker B: Yeah, I think there's somewhat like that. I've read. [00:24:50] Speaker A: Yeah. Fucking crazy. I think, um, Patton Oswald. Is that his name? He's the one who said something about that. Was that. Sorry, Mandy. [00:24:58] Speaker B: He's the little dude and he was in agents of SHIELd as the clones or something. [00:25:02] Speaker A: Yeah, but yeah, it's definitely a good film. And yeah, I forgot he was in Blade Trinity, but I don't like that film. I love the first Blade. He's also in the Logan fit in a Logan Wolverine origins. [00:25:22] Speaker B: Yeah. [00:25:22] Speaker A: And then obviously the two Deadpool films and a Ydezenhe. Are there any others? [00:25:26] Speaker B: Yeah, ripd that's about some form of police. [00:25:31] Speaker A: Oh, yeah, yeah, yeah. That's a court based on a comic as. I didn't know that. [00:25:35] Speaker B: Yeah. [00:25:36] Speaker A: Rest in peace department or rest in peace department. [00:25:40] Speaker B: And obviously Green Lantern, which he. Yeah. [00:25:44] Speaker A: Oh, no, I know we're not talking about Deadpool two, but as we. I don't know if I'm gonna watch Deadpool two anytime soon, but one thing I liked about the end of Deadpool two is obviously so based around like, time travel and stuff and cables in there, and then obviously they save the day, and then Deadpool then goes back in time and removes the ship from. From Wolverine origins. So that didn't happen. He goes back in time to stop fucking Greenland happening. So technically that doesn't happen in his universe. It's fucking brilliant. It's like, nah, fuck that. Because obviously he knows that was a fucking bad decision. Yeah, yeah. Because that was a crap film. [00:26:34] Speaker B: Well, in this, he says something, doesn't he? About don't make the super suit CGI and don't make it green or something like that. [00:26:43] Speaker A: Yeah. I also like the credits, actually, the intro credits. And it's like, it's not naming like, you know, it's normally like the names of the actors in this. It was like a CGI man, a young woman, a child sexy man, which is meant to be him, I think. And then really attractive woman, which is like, you know, misses obviously CGI guy is colossus. Yeah, stuff like that. And it's like, okay, I don't know any of these people. I'd love to check them out on Internet movie database, but yeah, I really enjoyed Deadpool. I didn't enjoy Deadpool two as much as Deadpool when I watched it. But I'm really looking forward to Deadpool and Wolverine because I think that'll be great. [00:27:34] Speaker B: Yeah. I mean, to see them two on screen together, Hugh Jackman and Ryan Reynolds for a long term film. Great. [00:27:43] Speaker A: Yeah, I'm gonna be enjoying it. My kid was on about going to watch it, but I think he's going with his friends. So I'll just go on my own and I'll go on with his friend. That's weird. But, yeah, I'm really looking forward to Deadpool three. Deadpool and Wolverine. I wonder what. Obviously, my personal opinion is they start off, they fight, and then they work together to kill the bad guy. [00:28:10] Speaker B: Yeah, that's the usual way these sort of films go into. [00:28:13] Speaker A: Yeah. So should be fun to check out. [00:28:17] Speaker B: I really hope that Deadpool fours. Deadpool and Spider man, that would be cool. [00:28:22] Speaker A: But I reckon they'll. I don't even know if they're gonna do another Deadpool. Never know with bloody fucking Disney now. Wanna? [00:28:30] Speaker B: I suppose it depends how much money this one makes, don't it? [00:28:33] Speaker A: Yeah, hopefully it makes tons. And they make a fucking fourth one. Deadpool and Spider man would be cool. They can wisecrack together like they should. [00:28:45] Speaker B: I think that's the problem with these Marvel films. They're good when they're like one character. Then when you get two characters, it's good because it's how they ping pong off each other. But when they do the massive ensemble ones of loads, everybody gets a bit lost. [00:28:59] Speaker A: I'm way behind on the Marvel universe, to be honest with you. So, like, if I watch Deadpool, Wolverine, and there's spoilers from anything after the first Ant man, I'm fucked because I haven't watched them. Because I was just like, I can't be asked anymore. I didn't even. Haven't seen Endgame or anything. [00:29:17] Speaker B: Oh, I have. I've seen the second Ant man. Uh, where am I? What? Anti. I've not seen the third Ant man. Uh, oh, sure. I swear to seeing. [00:29:28] Speaker A: There's loads I'm going on. I'm on like the fucking 3rd, 3rd, 1st wave, third wave. Third waves in the fourth wave. [00:29:36] Speaker B: Oh, I've not seen the second, uh, Captain Marvel film. The Marvels or whatever. [00:29:41] Speaker A: Yeah, I'm literally. I haven't seen anything from. I think it's Doctor strange onwards. [00:29:49] Speaker B: Yeah. [00:29:50] Speaker A: I haven't even seen the Spider man films, and I fucking love Spider man. [00:29:53] Speaker B: Gotta watch the third Spider man film. That is amazing. [00:29:57] Speaker A: I gotta watch all three. But I'm naughty. I'm a naughty boy. [00:30:04] Speaker B: Well, it's just too many things come. [00:30:05] Speaker A: Out nowadays between games and I was just like. And tv shows, it's like when I have a chance to sit down and watch something, like, for a little bit. I've been watching Taskmaster with the missus oh, yeah. Like, I've seen up to the series with Rob Bryden in it and that's as far as I go. But I put it back to the beginnings when misses hasn't seen it. And we've watched four series so far. It's fucking. It's just hilarious. So good. Does make me laugh. Anywho, is there anything you'd like to add about this film before we end? [00:30:49] Speaker B: No, just, uh, if you're gonna go see the third one, then I'd give this one a watch again. [00:30:54] Speaker A: Yeah, I disagree with that. Uh, that is gonna be. Yes. Uh, we will see you again soon. The next film we watch in is a good one anyway, so see you later. Bye. Bye, everyone. [00:31:09] Speaker B: Bye. [00:31:36] Speaker A: Wait. You may be wondering why the red suit? Well, that's so bad guys can't see me bleed. This guy's got the right idea. He wore the brown pants.